Word: script
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Dates: during 1970-1979
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...based on something called Prime Time School Television (PTST), a Chicago-based, nonprofit organization that prepares TV-related study guides. And PTST illustrates the general principle of prime-time teaching: use the screen to get students' attention, then engage their intelligence with questions, study guides and sometimes scripts read as homework. Thereafter, Archie Bunker's layoff from his job on the loading dock can be used to prompt a class discussion of unemployment. An arrest by Starsky and Hutch helps illustrate constitutional guarantees like that of a suspect's right to counsel. The approach is being applied...
Last Embrace is a film in which a stylish director and a superb cast (even the small parts are played by well-known and expert players, including Sam Levene, Charles Napier and Academy Award Winner Christopher Walken) do their best to triumph over a script that lacks witty writing and genuinely suspenseful substance. The result is a pleasant movie to watch, if your idea of a good time is an unelevated pulse, but one that leaves no lasting impression...
Much running about ensues, as two forces stumble over themselves in their desire to dispatch Scheider. Like so many younger film makers today, Demme is generous in his implied homages to Hitchcock. His camera buzzes around like a mosquito looking for some place to draw blood. Maddeningly, the script offers a number of scenes that suggest an air of gathering menace, but it never quite manages to stitch them together into a tense line of force. Nor does it offer substitutes that can compensate for that defect-an off-the-wall characterization here, an unexpected plot twist there, a memorable...
...some perverse way Fedora is an entertaining film. It is not cynical. There is a weird charm in its enthusiastic embrace of antique cinematic conventions and, more important, a certain daring in the way the piece is written. Throughout their script Wilder and Diamond are ready to undercut their melodrama in order to make judgments ranging from the sly to the nasty about everything from the way to handle the funerals of world-class celebrities to the way the rest of us allow ourselves to be drawn into their self-created dramas. There is a splendid cheekiness...
...VIOLENCE. Potentially interesting subjects, especially when you're talking about television. Robert Wood, one-time president of CBS, for example, vetoes a script for The Waltons because it describes (in lurid and graphic detail) Mary Ellen's "confused reaction to her first menstrual period." Lee Grant--Phyllis to sitcom junkies-- asks her daughter whether she lost her virginity on a ski weekend with a group of teenagers. "The subject matter was simply unacceptable for Family Viewing. It dealt too directly with sex." CBS editors jokingly called the episode--which the writer titled "Bess, Is You a Woman Now,"--"Did Bess...