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...movies, even more than the Ludlum books (which long ago I consumed with equal velocity and voraciousness), are themselves machines: beautifully constructed, splendid to behold. And in this third and possibly final episode, directed by Paul Greengrass from a script by Tony Gilroy, Scott Z. Burns and George Nolfi, the series has come close to attaining a kinetic perfection. If Ridley Scott's Black Hawk Down was the all-war war movie - nearly two hours of nonstop battles - The Bourne Ultimatum is the all-action action movie. A pounding of the eyes and ears (John Powell's score...

Author: /time Magazine | Title: The Bourne Ultimatum: A Macho Fantasy | 8/2/2007 | See Source »

...need to be butch! Butcher and more intense." That's darned good advice for an NFL lineman, a carjacker ... or an action-movie star forced to start filming while awaiting pivotal script pages. It was Paul Greengrass's direction for Matt Damon when they commenced shooting this summer's globe-galloping thriller The Bourne Ultimatum without a finished screenplay. "I didn't know where I had come from. I didn't know where I was going--which are things you really need to know as an actor," says Damon, who reprises his role as conflicted assassin Jason Bourne...

Author: /time Magazine | Title: How the Bourne Boys Keep it Real | 8/2/2007 | See Source »

...attitude that a film is not an event you make a big deal out of. He felt filmmaking was just a group of people working. At times he made two and three films in a year. He worked very fast; he'd shoot seven or eight pages of script at a time. They didn't have the money to do anything else...

Author: /time Magazine | Title: Woody Allen on Ingmar Bergman | 8/1/2007 | See Source »

...force of personality. He mesmerized actors, his crew, producers, everybody. In the early '40s he applied for a writing job at Svensk Filmindustri, the main movie studio in Sweden, and was interviewed by Stina Bergman, widow of playwright Hjalmar Bergman and head of the studio's script department. "He seemed to emerge with a scornful laugh from the darkest corner of Hell," she later recalled, but with "a charm so deadly that after a couple of hours' conversation, I had to have three cups of coffee to get back to normal." She hired Ingmar that...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

...Filmmakers are naturally collaborative—that’s what we do,” he says. “None of us are used to working by ourselves, so when we’re working on a script, we enjoy helping each other out. It’s a lot more fun to do it that way than to each be really cutthroat...

Author: By Aditi Balakrishna, CRIMSON STAFF WRITER | Title: His Lot to Lose | 7/27/2007 | See Source »

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