Word: script
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...pretty sentiment, suitable for the birthplace of Jesus Christ. The sign, put up by the Israeli Tourism Ministry, may be written in Arabic script, but its message of peace is clearly not meant for Arabs - not for me, not for the hundreds of Palestinian laborers, school kids, businessmen, teachers, people going to see doctors, who must run the daily gauntlet of Israeli security checks. A tourist who wants to go from Bethlehem to Jerusalem can make the journey by car in 15 minutes. I must go on foot and, depending on the mood of the young Israeli soldiers...
...Produced by Charles A. Tremblay ’10 and Elsa A. Paparemborde ’10, and directed by J. Jack Cutmore-Scott ’10, with a original script by Cutmore-Scott and co-writer Robert E.T. Tainsh ’10, “Fall” was a dynamic and kinetic play that was as engaging as it was thought-provoking. Life philosophy, social commentary, and jabs at Harvard were on the menu, all seasoned with cute—but not too cute—wit and fantastic acting...
That's about the only spot of humor in the script, by James Vanderbilt, whose widely circulated screenplay of Richard A. Clarke's Against All Enemies--yet to be made--is a model of compression and clarity. This one, with two main story lines (Toschi's official pursuit and Graysmith's amateur obsession) plus a character count in the high dozens and lots of leads that go nowhere, right up to the end, is necessarily a more sprawling affair. Yet it manages to be true to the complexity of the case while never losing cohesion or coherence...
...culture here.” Early on, Cutmore-Scott began to think that some of his college experiences would make for some funny scenes in a play. In October, he teamed up with friend Robert E.T. Tainsh III ’10 to begin creating a framework for the script of “Fall.” Cutmore-Scott says that “Fall” was greatly influenced by a play that he saw last summer which lacked typical structure and formality. “Up at Edinburgh [Festival Fringe], I saw this play, an original piece...
...novels—seven of which have been published, three of which have been made into films—he is enthusiastic about what he does, and happy to let anyone with the slightest inclination know the thoughts in his head. According to Graymsith, Gyllenhaal, though riveted by the script, hesitated to take the role, afraid to open a Pandora’s Box and reveal the psyche of a man so in vested in a killer. However, after meeting with Graysmith to better understand the character he might portray, Gyllenhaal accepted the role. “Jake reached...