Word: script
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LETTERS FROM IWO JIMA Last year, as he was preparing to shoot Flags of Our Fathers, his caustic epic about the U.S. invasion of Iwo Jima, Clint Eastwood got a script by his researcher, Iris Yamashita, about the soldiers on the other side of the battle and the losing side of the war. That cued Eastwood to make an Iwo Jima diptych and, after scouting Japanese filmmakers, to direct it himself (though he doesn't speak the language). The result is a unique, bifocal view of ground war--the men who fight it, the propaganda attending it, the awful...
...film is handsomely mounted and well played (particularly by the always magical Binoche--such a wonderfully alert actress), but somehow it never draws one into its schemes. Possibly that's because Minghella (who also wrote the script) has too much on his mind--the costs of urban gentrification, the unhappinesses of émigré and bourgeois life. Minghella is a decent-minded filmmaker. And a liberal-minded one too. He wants his characters to emerge morally instructed and reasonably happy. But it's not a lofty goal, and this is a movie that plods while we keep hoping it will soar...
Dreams and consciousness streams are the stuff of which Lynch films are made. A script? Not so much. Because he's considered an auteur, Lynch was able to convene a cast, including Jeremy Irons and Harry Dean Stanton, before he wrote Empire. "I'd get an idea for a scene, write the scene, gather people together and shoot that scene," says Lynch. "I didn't know if the second scene would relate to the first or the third." This is where Lynch's decades-long commitment to transcendental meditation--which he documents in a new book, Catching the Big Fish...
...cultured, leisured Europe before the War.†The most impressive part of the production was the actors’ ability to captivate and generate excitement simply by using voice inflection and facial expressions to milk the most out of Shaw’s script...
There were a few moments when the action on stage seemed more like the affectations of children playing tea party rather than like convincing acting. But in spite of these lapses, the actors effectively brought out the charm and wit of Shaw’s script...