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...you’re a bitch, please come play a bitch for me.” The Harvard Crimson: How did you decide to make the film? Joe Wright: Working Title, who had done “Bridget Jones’ Diary,” approached me with the script. I didn’t think I was going to like it much, because I thought “Pride and Prejudice” was for girls. I took the script to the pub and by about page 60, I was weeping into my pint of lager. I kind...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: A Wright Version of Austen Charms | 11/17/2005 | See Source »

...wife develops a severe anxiety disorder and his son begins a religious exploration of his own. Each member of the family seems to have an identity crisis and the plot partially hinges on whether the family can pull through as a whole. The movie’s awkward script incessantly repeats the negative father theme with its unnecessarily shrill dialogue. Despite forced lines and a one dimensional character, Gere’s portrait of a stolid philosopher reevaluating his ideology connects with all the emotional force the thespian can muster. Miriam is the most captivating character, thanks to Binoche?...

Author: By Carmen E. James, CONTRIBUTING WRITER | Title: Bee Season | 11/17/2005 | See Source »

However atypical the hospitality, the show went over well, all things considered. The 10-person cast, after all, had not received their scripts until minutes before the sparsely attended Leverett G-spot premiere. “They just read right through the stage directions,” Turhan F. Sarwar ’06 says. All involved acknowledge the confusing dialogue and amateurish script...

Author: By Bob Payne, CONTRIBUTING WRITER | Title: No. 13: Making Life Fun, One Poltergasm at a Time | 11/16/2005 | See Source »

Condi Rice is at her best when she throws away the script, forgets the acronyms and euphemisms of diplo-speak, and uses words of one syllable. She knows it. And sometimes, when she?s piqued, she snaps out a sharp phrase that everybody understands...

Author: /time Magazine | Title: Rice Sends a Warm Message in the Mideast | 11/14/2005 | See Source »

...demand high blackmail payments; Charles cannot go to the police because Lucinda refuses to make a statement of a her rape; Charles’s life spirals increasingly out of control. Plus, his daughter has diabetes. Yes, they go there.The fault largely lies in Stuart Beattie’s script, which fails to capture any of the thrill or urban grit of his noir masterpiece “Collateral” or any of the wit and slap-dash charm of his “Pirates of the Caribbean.” The anatomy of the affair fails to intrigue...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Derailed | 11/11/2005 | See Source »

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