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...stand back and wax ironic about The Last Samurai. But it's not all that difficult to succumb to its full-spirited romanticism either. The director, Edward Zwick, whose Glory is one of the rare, recent triumphs among grand historical tales, has obviously studied his Kurosawa. Working on the script with Marshall Herskovitz and John Logan, Zwick brings the master's concentrated fury to his depictions of hand-to-hand combat; a certain raw, muddy brutality to Cruise's training for those moments; and both epic sweep and powerful detail to the big battles. By way of contrast, there...

Author: /time Magazine | Title: Found in Translation | 12/8/2003 | See Source »

...Griffin slides into his seat in the production truck alongside the director. He keeps his comments to a minimum during the hour-long show because he thinks Matthews performs best when he goes off script...

Author: By Jonathan P. Abel, CRIMSON STAFF WRITER | Title: The Man Who Makes Matthews Sweat | 12/3/2003 | See Source »

While Noises Off has a fairly clever script, the success or failure of any farce is heavily dependent on timing and the ability of the actors to quickly convey all of the details of a complicated comic situation. Fortunately, the Harvard production possessed a strong cast, with every one of its members giving a memorable and energetic performance...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: Review: 'Noises Off' Fills Pool With Skillful Chaos | 11/24/2003 | See Source »

...irate audience, and an unplanned pregnancy—all while they’re trying to keep quiet to avoid disrupting the action onstage. Any company would be proud of this production’s skill with the gag coordination and choreography called for in Frayn’s script, but the act’s pacing in this staging was so breakneck that a considerable proportion of the jokes flew past either without being noticed or understood. While it’s unlikely that any production could pull off this act in such a way that its audience could...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: Review: 'Noises Off' Fills Pool With Skillful Chaos | 11/24/2003 | See Source »

Other weaknesses were mainly the fault of the script. The first act failed to be very interesting, since it’s mostly used to establish characters—the spacey blonde, the apologetic wimp, the alcoholic stage veteran—by harping on their idiosyncrasies, which meant that much of the act’s humor was repetitive and rooted in slapstick...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: Review: 'Noises Off' Fills Pool With Skillful Chaos | 11/24/2003 | See Source »

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