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...season has been cinematic because of the way the team has overcome constant adversity, it has also resembled a movie in that it was all essentially written out ahead of time. The 2001 script, penned by Coach Murphy and an experienced, senior-laden nucleus, consisted of simply knowing what the team needed...

Author: By Martin S. Bell, CRIMSON STAFF WRITER | Title: Saved by the Bell: No More 1997 | 11/10/2001 | See Source »

...inhabit the Gardner. The two largest pieces face each other and have a particularly compelling relationship. One, a triptych on hinges, is comprised of three panels: a bookshelf in the museum at the center and the exit doors on the side panels. Facing that piece is “Script.” As if one had been able to open a book on the photographed shelf “Script” displays a close up of an excerpted passage from Dante’s Inferno. The excerpt is from Canto IV in which Virgil leads Dante...

Author: By Lisa Foti-straus, CRIMSON STAFF WRITER | Title: A Gift of Presence: Living Art at the Gardner | 11/9/2001 | See Source »

This Dracula, both the script and the production, is ultimately commendable for its excellent use of its medium. Though it’s hard to tell whether a theatergoer will like or even appreciate this show, what is certain is that it won’t soon be forgotten...

Author: By Emma Firestone, CONTRIBUTING WRITER | Title: Fangs for the Memories | 11/9/2001 | See Source »

...next section follows Willie to the West. He aims for Canada, home country of the missionaries who educated him in India. He ends up in England, where he studies, struggles to overcome his sexual awkwardness, and eventually begins a career as an unrecognized writer and BBC script-man. Ultimately, his efforts at fiction are little more than transparent cribbing of Hollywood stories, redone to fit Indian contexts...

Author: By Graeme Wood, CRIMSON STAFF WRITER | Title: Nobel Prize Winner's Newest: 'Half A Life' | 11/9/2001 | See Source »

...film attempts to make Newman into a hero with the quietly dramatic ending. However, it is hard to dismiss the prejudice and hatred he had for Jews throughout the script. In reality, he is no hero—he is an everyman, one who has striven his entire life only for calm, order and self-preservation. When he becomes associated with the people he hates, he comes eventually to realize several things about the nature of prejudice and the experience of being victimized mentally and physically. However, his actions are by no means heroic, and so Focus sends a powerful...

Author: By Julie S. Greenberg, CRIMSON STAFF WRITER | Title: Viewing Life Through New Lenses | 11/9/2001 | See Source »

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