Word: script
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Reaching back to my memories of ninth grade music history, this is what I learned about "West Side Story": it's a love story in which two teenagers, Tony and Maria, fall for each other against the backdrop of inner-city New York gang fighting. The musical's script, by Arthur Laurents, updates Shakespeare's tale of Capulets and Montagues by casting a gang of white New Yorkers against a gang of Puerto Rican immigrants...
When Julianne Moore picks up a screenplay, she doesn't read it so much as listen to it. "If I can hear it rhythmically or hear the voices in my mind, then I feel like I can do the script. If I can't hear it, I can't do it." And, she adds, no re-reading is likely to alter this first, "instinctual" response...
...tireless booster of whatever happened to be going on at that exact moment--group therapy, meditation, laundry. This enthusiasm was both his greatest strength and perhaps his fatal flaw. If on the job he channeled that eagerness into getting a client interested in a new script or a studio in a project, in treatment he pumped his fist about how great it felt to be drug free. He was always, consummately, in the moment. And for him, there had been some pretty hairy moments. He had begun doing cocaine about six months before, and in a pattern familiar to most...
...heads that, when detached by the whoosh of the Horseman's blade, go spinning, rolling, bobbing as if each were a top, a bowling ball, a Halloween apple on its way from Hollow to hell. (The terminally cool Tussaud effects are by Kevin Yagher, who also worked on the script.) Irving's Horseman, a long-dead Hessian mercenary, was most likely a story to scare away intruders and, when Ichabod sees him, a human prankster toying with the gullible schoolteacher. Here, though, the creature must be realer than a nightmare--a galloping plague to purge Sleepy Hollow. He is embodied...
...foreword to the published script of The Rainmaker, playwright N. Richard Nash advises, "It must never be forgotten that it is a romance, never for an instant by the director, the actors, the scenic designer or the least-sung usher in the Forrest Theatre in Philadelphia." I can't vouch for the ushers at the Brooks Atkinson Theatre in New York City, who are no less surly than usual, but mostly this Broadway revival gets into the right spirit. The set, a swath of brown prairie dominated by an expanse of blue sky, seems ready at any moment to disgorge...