Word: script
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...chapter in Ferrell's exploration of the man who is not nearly as cool as he thinks he is. (That's a figure familiar for decades through Bob Hope and Steve Martin films, and in TV shows like Get Smart.) With a story assist from Reilly, Ferrell wrote the script with Adam McKay, a fellow alumnus of Saturday Night Live and director of two Will winners, Anchorman: The Legend of Ron Burgundy and Talladega Nights: The Ballad of Ricky Bobby. The new movie also explores the comic notion of man-child that goes back to the silent era (Harry Langdon...
...still interested in directing a musical? Bill Fisher, Seattle, Wa. I'm dying to. About eight years ago, I had a script called The Next Diamond. I tried to make it an action musical. It was a pretty good script, but it was hard to get financing, hard to make the studios believe that musicals still work, and hard to get stars, because we wanted a star who could sing, dance and shoot. I'm still working on it. If I can't make it in Hollywood, I will try to make it in China...
...tablet in his Zurich home and moved on to other collectibles. Then, three years ago, he invited an Israeli scholar, Ada Yardeni, to Zurich to examine writings on ancient pottery shells. The expert's eye, however, was drawn instead to the tablet with its 87 lines of Hebrew script. "She was fascinated" says Jeselsohn. "Yardeni said the writing was just like on the Dead Sea Scrolls...
...monumentally self-assured filmmaker, and a superb pitchman for his own projects, Shyamalan used his Sixth Sense clout to maintain his independence. Aside from making his elaborate movies at home, he'd play power games with the movie brass, allowing an executive just one afternoon to read his new script before returning it to him. That sort of bravado works only as long as the product sells. But when The Lady in the Water belly-flopped with $42 million domestic, Hollywood could finally say no to the wunderkind. The Happening is distributed by 20th Century Fox, but the list...
...Havel is famous in the Czech Republic for his understatement. But his friends and colleagues know him more as a behind-the-scenes master of ceremonies. In Leaving, for example, he includes himself in the play not as a character but as a kind of chorus. Interlaced throughout the script are comments about the creative process which director David Radok has Havel himself voice as the actors freeze on stage. The effect is odd, at first but, in the end adds a fitting layer of ironic detachment. Characteristically, Havel's main stage direction during the play is to tell...