Word: scripted
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Dates: during 1960-1969
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...taken to drawing before that and their artists were very helpful. The great thing to do is to develop a kind of universal simplified pictorial script in which you can express situations. And then you must put sentences and pictures that correspond to their meanings in certain sequences together...
Danny Troob's and John Forster's music is a splendid way to cover the script's sins. A good number of the songs sound the same, but it's a good sound and the repetitions are easy to forgive. Troob seems fascinated with a pattern of slow-lead-in, break into new, snappy meter, plant a long dance between the second and third verse. The best of them are straightforward satires--anemic Junior's self-discovery ("Number One and Only You") and a stay-away-from-sin number at the start of the Second Act ("You Can Be Celibate...
Robert Aldrich's film is a fairly straight adaptation of the play by Frank Marcus, which opened in London in 1965 and subsequently came to Broadway. Much of the humor in the film comes directly from Marcus's script; Beryl Reid, who starred in the play, supplies the rest. As Sister George, she plays an again television actress who is being written out of her part in the soap-opera she helped to create. "They are going to murder me," she announces to her flatmate. "I've suspected it for some time...
MOST OF THE responsibility for this unhappy flaw must lie with screenwriter Peter Stone. While the problem existed just as clearly in Neil Simon's Broadway script, Stone evidently had little desire to correct it. Bold action does not seem to be Stone's forté anyway, since most of the picture's jokes are holdovers from the Simon version and most of its charms traces back to Fellini's Nights of Cabiria (Sweet Charity's original source...
Peter Yates, the British director who began filming John & Mary in Manhattan last week, calls it a "contemporary love story." It begins where romantic movies used to end?with the snuggling in the percales. After that, the script lightly flicks such switched-on subjects as astrology, hippies, fags, the Pill, Jean-Luc Godard's Weekend, May-September adultery, cinéma vérité film makers and, just for laughs, itself. From time to time, for example, it underlines the dialogue with subtitles...