Word: scripted
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Dates: during 1960-1969
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Skipping over some of the patient analysis in Osborne's script, Jory has chosen to rely entirely on a rapid flow of stage business to present his version of Porter. Jory keeps Marion Killinger pacing the stage with vicious energy, leaping onto tables, sprawling on the floor. He explains the man's anger with a series of visual and auditory irritations--the impassivity of Alison (Karen Grassle) at the ironing board, the obnoxious clang of evening bells, the black and white tedium of a litter of Sunday newspapers, constant courteous offers...
Early in the first act, Killinger establishes the dumpy flat as his domain and Jory augments Osborne's complex stage directions with a few tricks of his own to keep it that way. For instance, the script calls for Porter to kick a cistern, then sit and play it like a Bongo in the second act. Jory has junked that and instead has Jimmy playing a complex jazz solo with plates and glasses on the bleak little tea table, as Alison announces that she's going out with her friend Helena. "That's not a direction," Porter replies in perfect...
...happened, Julie Nixon and David Eisenhower came up with that script on their own. They fell in love during a year-long courtship at Smith and Amherst colleges and became engaged last November. Richard Nixon is personally delighted-not to mention his political gratification. Along with Daughter Tricia Nixon, 22, David and Julie are among the most engaging performers in his campaign road show...
...Silence. No other first novel has ever had such an exclusive private printing, or such an exclusive first audience. Khrushchev wanted to use the book as a weapon in his own power struggle with the hardliners, Mikhail Suslov and Frol Kozlov. By Khrushchev's order, the script was set in type and 20 copies were run off on the Swedish-built presses the Kremlin reserves for state documents. The copies were distributed to members of the Presidium. Then, at Khrushchev's summons, the Presidium met. The members sat at a long table, each with his copy of the novel...
...character named John Emery Rockefeller--conveniently giving the authors the opportunity to include a raft of Rockefeller jokes. (The play's being retitled Rockefeller and the Indians for its Broadway bow.) Mr. Howerd could probably be quite funny, if he were not hampered by such handicaps as the script and direction. Perhaps if Mr. Shevelove let his star run wild and ignore the play, Sassafras would draw more laughs than its present quota...