Word: scripted
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Dates: during 1970-1979
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...script creates an exhausting round robin of ethical and personal conflicts for its hero. Should Tynan lead the fight against a racist Supreme Court nominee, or should he remain silent out of deference to an old colleague (Melvyn Douglas)? Should he carry on an affair with a bright Southern civil rights lawyer (Meryl Streep) or remain faithful to his equally bright and attractive wife (Barbara Harris)? Should he pursue his presidential ambitions or spend more time at home with his increasingly estranged kids? Not only do these dilemmas have the aura of the casebook about them, but they are also...
...being filmed on the streets of Manhattan, and everyone within shooting distance seemed to have something to say about it. New York gays who live in the Greenwich Village area where much of the shooting was taking place were especially upset. Some who managed to get hold of a script protested that Cruising would be an insulting film because it depicts homosexuals as violent and sex-obsessed. Marshaling forces along the fringes of the street scenes and staging protest marches through the Village, the gays demanded that Mayor Edward Koch withdraw municipal assistance for the production...
Soon the three of them have given the adult world the skip, and are running away toward Venice, where the lovers intend to bind themselves together for eternity by kissing in a gondola under the Bridge of Sighs. This agreeable silliness works because the script by Allan Burns is sharp and funny, the two young actors are fresh and effective, Olivier is a howl, and Director George Roy Hill (Butch Cassidy, The Sting) has a fine comic touch...
...Mariel Hemingway in Lipstick and Diane Lane in Cattle Annie and Little Britches, a western film scheduled for release next spring. "Until about a decade ago, girls were dainty untouchables, unless they were little mutts. Hollywood had a Latin view of them, the whore or the madonna." If a script called for a very young girl to play a suggestive role, directors looked around for slightly built older actresses. When the film version of Vladimir Nabokov's Lolita appeared in 1962, it was considered scandalous that Sue Lyon, a not particularly slight 14 when she was selected for the role...
...look first to see if the eyes are wide open and if they express intelligence," says François Truffaut, whose films about children include the haunting The 400 Blows and Small Change. Truffaut also looks for "vivacity, above all vivacity." He usually does not prepare a detailed script for children. "I prefer giving them the essential ideas of the scene, and then letting them express the ideas with their own vocabulary. I think that's the biggest difference." Adolescent actors sometimes get the giggles, reports Truffaut, but they rarely have inhibitions, at least at the beginning. Says he: "They usually...