Word: scripted
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Dates: during 1980-1989
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...petty crime. After graduation, he began work on a drama about a young black bicycle messenger but was forced to abort the project when financing fell apart. Though he says it was the most painful period in his career, the resilient director turned around and started working on another script. Using some of the same actors, he filmed She's Gotta Have It in a rented restaurant attic over twelve days, editing in his studio apartment. The 1986 picture, produced on a shoestring budget of about $175,000, raised mostly from friends and family, plus an $18,000 grant from...
...ability to market his own films gives Lee an edge when he deals with Hollywood. Still he approaches it with distrust and stubbornness. "I have a script, and they know I have final say. They know there are things I'm going to demand. If they want to do the film, these things have to be met, or else we don't do it." But Lee is in a precarious position: he needs the power, muscle and money of a major studio to market and distribute his films, while still protecting his work. "He is fighting for his creative life...
...offender is Goldblum, who seemingly has no clue about his character. In a blatant pitch for cheap laughs, he relies on grimaces and gestures from The Fly, topping them off with a pantomime of catching and eating some insect. At best the show skitters along the surface of a script rich in unexplored depths. If A Midsummer Night's Dream is the most perfectly plotted comedy in the English language, Twelfth Night may be the most profound: its main subjects are death, madness, the delights of cruelty, the self-deluding and dreamlike quality of sexual attraction, the randomness of justice...
...sexual practices. Lewis' music, manner and morality now seem almost innocent in comparison with what has followed him up the charts and into the hearts of adolescents during the past three decades. Even the act that shattered his career -- marriage to his 13-year-old second cousin Myra (the script is based on her as-told-to memoir) -- is something we now feel compelled to "understand," if not endorse...
...Keaton familiar from earlier comedies like Beetlejuice. He gets to deliver only a few amusing lines--notably in a scene with Vale and newspaper reporter Alexander Knox (Robert Wohl)--but he delivers them well. And Keaton has a beautifully expressive face; he's fun to watch when the script supports him. Sadly, however, it seldom does...