Word: scripted
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Dates: during 1990-1999
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...enigmatic and unapologetic, that best captures his anarchic spirit. "Sure, Jim's performance channeled the guy, but it's all part of a whole," explains Danny DeVito, who not only produced and co-stars in Man on the Moon but also appeared with Kaufman on Taxi. "Without a good script, everybody knows you'll wind up empty-handed. They nailed him, baby...
Their upcoming projects include writing a script about the Marx Brothers that will focus on the comedians' early wild years in vaudeville, and producing films about the flamboyant pianist Liberace, First Brother Billy Carter, and Roland Stewart, the ubiquitous fan with the rainbow-colored Afro wig who appeared at nearly every televised sporting event in the 1980s before he snapped violently and was arrested after a shootout with police. As Alexander explains, "We behave like gentlemen at the studio, but we try to write punk-rock material...
...trashy horror flicks like Herschell Gordon Lewis' Blood Feast and 2000 Maniacs. Now jump-cut to 1990, when they sell an original comedy about a bad seed called Problem Child but become dejected by the unfunny film that is made. To cheer themselves up, they write a spec script about the worst auteur in cinema history, Ed Wood. Batman director Tim Burton reads it and signs on, and when the movie garners critical praise, the guys decide to stick with their new formula. "Most biopic pitches you hear in Hollywood are about 'The first person to blah-blah-blah,'" says...
...decades now, especially in the past couple of years, black actors have complained about being snubbed for starring roles on TV. So after the TV networks announced their fall lineups last spring, Kweisi Mfume arrived in Hollywood with his own script proposal. The N.A.A.C.P. president cast himself as the leading man, a swaggering yet politically correct Terminator of all things racist about Tinseltown. His first mission: to strong-arm the networks into hiring more minorities to work in front of and behind the cameras. Mfume's early salvos had the fire of civil rights rhetoric...
...story, which they had carefully laced with "a lot of foreshadowing and dramatic irony," as Harris put it. There was that poem he wrote, imagining himself as a bullet. "Directors will be fighting over this story," Klebold said--and the boys chewed over which could be trusted with the script: Steven Spielberg or Quentin Tarantino. "You have two individuals who wanted to immortalize themselves," says Holstlaw. "They wanted to be martyrs and to document everything they were doing...