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...with an X rating, a month after another, more prominent X-er, "Myra Breckinridge," had ignominiously tanked. "BVD" earned a healthy return on investment and a sheaf of favorable notices - though not every critic loved the film. The Chicago Tribune's reviewer sniped at the movie and its tyro scripter: "Boredom aplenty is provided by a screenplay which, for some reason, has been turned over to a screenwriting neophyte." (This was young Gene Siskel, twitting his rival, later partner-rival, Ebert. Here's thumb in your...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...player of great flair, a dark temper and, apparently, no will of his own. Iago is Hugo (Josh Hartnett), the coach's son with a bit of a grudge. Desdemona is Desi (Julia Stiles); Emilia is Emily (Rain Phoenix). As the updated plot is predictably spun out by scripter Brad Kaaya, your response may be a glum "Uh-O." Best to watch the many ovals that Nelson has cleverly worked into the visual design, and to savor Hartnett's handsomely conflicted turn as a youngster of promise that rancor sours into threat. On your already groaning Shakespeare for Teens video...

Author: /time Magazine | Title: Cinema: O | 9/10/2001 | See Source »

...unique roster of stars-including James Coburn, Walter Matthau, and Charles Aznavour) -- enjoy the "charity" offered by Southern and Hoffenberg's nymphette, while scripter Buck Henry (dare this hardcore Southern fan say it) actually improves upon the novel in two bizarrely funny sequences: Candy's worshipful encounter with drunk Welsh poet McPhisto (Richard Burton), leading to a more-than-peculiar basement menage a quatre involving her Mexican gardener (a "Pepper"-era Ringo Starr doing an incredibly awful accent); and her "lesson" with a guru (Marlon Brando) whose accent keeps changing from East Indian to New Yawk in mid-sentence. Henry...

Author: /time Magazine | Title: The High Life and High Times of Terry Southern | 6/18/2001 | See Source »

...Beach opened last week preceded by the odor of dead fish. Early word was disastrous, and the first reviews didn't help. From this critic's seat, the view is mixed. The film that director Danny Boyle and scripter John Hodge have fashioned from Alex Garland's novel has plenty of beguilements and even more problems. It's a big, mixed bag, ambitious and frustrating, with a lot on its mind and a daring, assured performance from the young star. In short, it's a typical DiCaprio movie...

Author: /time Magazine | Title: Cinema: The Beach Boy | 2/21/2000 | See Source »

What's even sadder is the talent wasted. Director Tom Shadyac's other films (Ace Ventura: Pet Detective; The Nutty Professor; Liar Liar) are bright, off-kilter farces; scripter Steve Oedekerk wrote Professor. It is a crime against humority that they and Williams (who in a chair next to Letterman is still our most brilliant word surrealist) renounce the work they've practiced with such abandon and invention for Patch's bullying sentimentality. Comics who want to do Hamlet often end up, as here, serving big, sticky slices...

Author: /time Magazine | Title: Cinema: Ho, Ho (Well, No) | 12/28/1998 | See Source »

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