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Word: scripter (lookup in dictionary) (lookup stats)
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...Century-Fox) adapts the authentic story-almost too good to be true-of the most elusive man the U.S. Secret Service ever tried to catch: a lovable old counterfeiter who struck off amateurish one-dollar bills. St. Clair McKelway told the story in three New Yorker articles last year. Scripter Robert (It Happened One Night) Riskin retells it with just enough respect for the flavorsome facts and just the right knack of working them into warm, humorous fiction...

Author: /time Magazine | Title: The New Pictures, Oct. 2, 1950 | 10/2/1950 | See Source »

...Glass Menagerie (Warner), the first Tennessee Williams play to reach Broadway, is also the first to reach the screen.* It does not live up to its stage success. Except for an "upbeat" ending, which Co-Scripter Williams reluctantly imposed on Playwright Williams at the urging of Hollywood, the film gives a reasonably faithful reading of the play. Painstakingly produced and expensively cast, it tries conscientiously to rework the frail story in movie terms. But the charm, the magic and the vague sadness of the play are lost...

Author: /time Magazine | Title: The New Pictures, Oct. 2, 1950 | 10/2/1950 | See Source »

Producer Jerry (Johnny Belinda) Wald and Scripter Ranald MacDougall have taken plenty of liberties, but that should not offend Hemingway fans who recognize that To Have and Have Not is one of the master's lesser works. The script reshuffles characters and incidents, creates new ones, even switches locales (from the Florida keys and Cuba to the California coast and Mexico). In reshaping the novel, it softens some cutting edges. But the story is still tough, violent and essentially true to the book's central figure: a rugged individualist, desperately down on his luck...

Author: /time Magazine | Title: The New Pictures, Sep. 25, 1950 | 9/25/1950 | See Source »

...Cathay to 13th Century England. Based on Thomas B. Costain's lush historical novel, the film bristles with research, Technicolor, 5,600 extras (not counting 500 horses and 1,000 camels), the English countryside and sun-scorched vistas of Asian deserts. On this broad canvas, however, Scripter Talbot Jennings traces a curiously skimpy design...

Author: /time Magazine | Title: The New Pictures, Sep. 11, 1950 | 9/11/1950 | See Source »

...Producer-Scripter Nat Perrin tells it, Petty (Robert Cummings) at first scorns his knack for improving on the female anatomy, permits a hoity-toity patroness to set him up in style as a serious painter. Then he meets Joan Caulfield, a shapely college professor with Victorian ideas. During an energetic courtship involving arrest, blackmail and academic disgrace, he melts away her inhibitions, and the Technicolor camera undrapes her hidden talents as a model. She returns the favor by stripping away his artistic pretensions...

Author: /time Magazine | Title: The New Pictures, Aug. 28, 1950 | 8/28/1950 | See Source »

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