Word: scriptful
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...Hanks was not sticking to the script. Called up to the stage by Sony boss Sir Howard Stringer during the keynote speech on the opening day of the Consumer Electronics Show Thursday morning, Hanks exsanguinated the hand that...
...born nor bred into the upper class, these writers made class their theme: the resentment and suspicion the unders had for the uppers, which Pinter stripped of overt political references and flipped into the power that one person exercises with cool brutality over another. The TIME description of his script for the 1963 film The Servant - that it was "acid splashed into the wound of class distinction" - could apply to much of Pinter's work: an outsider's unblinking view of the sadism with which the haves humiliate the have-nots...
...Though his plays became sparer and less frequent, he remained an industrious producer of scripts, especially for the movies. Assigned all manner of British novels to adapt, he turned virtually all of them - The Servant, The Pumpkin Eater, The Quiller Memorandum, Accident, The Go-Between, The French Lieutenant's Woman, The Handmaid's Tale - into parables of class inequity and betrayed alliances. (He also did a starchy version of F. Scott Fitzgerald's The Last Tycoon and, for his last script, an ugly botch of the Anthony Shaffer thriller Sleuth.) He directed other men's plays, notably Simon Gray...
...play in Lee's novel, which after all is cast not as a Scottsboro Boys-style docudrama of racial injustice in the '30s but as a daughter's loving evocation of her dad, seen through a child's eyes. This is the perspective that Foote's Oscar-winning script faithfully transposed to the screen, and that Mary Badham, who played Scout Finch, embodied with such unaffected clarity that, at 10, she received an Oscar nomination for Best Supporting Actress. As for Mulligan, no one has cited him for anything but the sensitive handling of story, actors, camera and mood...
...real cause for celebration is that he alchemizes the dross of the script into a character with a palpable physicality and inner life. Behind the bulk of his hulk, a man's dogged decency is on display, and so, briefly, is Rourke's fallen-angel smile. In the scene that could cinch his Oscar nomination, he gets a long close-up as Randy pours out his clumsy love for his daughter. The speech is boilerplate sentiment, which the actor - who says he reworked it to reflect his own life - elevates to a passion as sweet as it is forlorn...