Word: scriptful
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...stinkers. Sleepwalkers, Sometimes They Come Back and its various sequels, etc... How do you maintain quality control? Do you even try? I'd go crazy. I don't try to maintain quality control. Except I try to get good people involved. The thing is, when you put together a script, a director, and all the other variables, you never really know what's going to come out. And so you start with the idea that it's like a baseball game - you put the best team you can on the field, and you know that, more times than...
...technical materials or compartment overload, but classics like Louis Vuitton and Goyard have never seemed so appealing. Even popular '80s accessories brand MCM is on the brink of a major comeback, thanks to styles chockablock with steamer signatures like logos and stripes. Gucci's Boston bags, with stripes and script, transition smoothly from everyday to holiday. And what better to write home on than iomoi's monogrammed note cards, complete with designs reminiscent of smokestacks from a bygone era. --By Betsy Kroll...
...script offers plenty of opportunities for easy laughs, high physical comedy, and characterization. In farce, there is considerable leeway to pursue these ends; exaggeration, absurdity, and extremes are all allowed and expected. However, they must be executed with clarity and consistency. Unfortunately, these crucial aspects were notably absent. The staging was unfocused, made unbalanced used of the theatre, and poorly conveyed the time period...
...kids aren't likely to parse the fine points of the script's psychology. They and their parents will be wowed by the battle scenes, a nifty sea-monster montage and Beowulf's climactic dogfight with a dragon. No question you lose a little character nuance in "character capture"; they don't look quite real. But the effects scenes look realer, more integrated into the visual fabric, because they meet the traced-over live-action elements halfway. It all suggests that this kind of a moviemaking is more than a stunt. By imagining the distant past so vividly, Zemeckis...
...directorial debut, “The Squid and the Whale,” which he also wrote, Baumbach dealt with the crisis of a looming divorce and the repercussions it had for two young brothers. The film’s anguish rang true in large part because the script was semi-autobiographical for Baumbach; amidst all the emotional turmoil, what survived was the fragile beauty of boyhood innocence. “Margot at the Wedding,” Baumbach’s second feature, retreads much of the emotional territory of “The Squid and the Whale?...