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Word: scripting (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

This is an extracurricular movement which has no Shakespeare or Mozart to carry it along on the road to professionalism. The student painter, like his counterpart, the writer, has a universe to face strictly on his own. All the inspiration and mentors in the world do not constitute a script or score and the challenge involved more than balances the opportunity. As is often the case with local literary attempts, the gap between aspiration and achievement is due, much of the time, to a basic inability to cope with the art's more fundamental and less romantic aspects, rather than...

Author: By Paul W. Schwartz, | Title: Students | 4/30/1958 | See Source »

Lucky Gambles? Many Hollywoodians regard Benjamin and Krim as merely cool and lucky gamblers. But they are much more than that. They have a keen artistic sense, will not agree to finance a movie and distribute it unless the "package'' is right; i.e., the script, stars, producer and director all fit together. They read 50 to 60 scripts a week, back their artistic judgment with two of the shrewdest business brains in moviemaking...

Author: /time Magazine | Title: SHOW BUSINESS: Hollywood Happy Ending | 4/28/1958 | See Source »

...Young Lions. Irwin Shaw's bestseller about World War II, clarified by an intelligent script and gifted Actors Marlon Brando and Montgomery Clift (TIME, April...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Apr. 28, 1958 | 4/28/1958 | See Source »

...warfare on the moles. Last week, as he jabbed a poison capsule into the ground with the point of a stout stick, he cocked a fiendish eyebrow and remarked: "I feel beastly, but one of us has to go." And then back to the house to work on a script about Father Damien's leper colony-he wrote most of the scenario for The Horse's Mouth too. After The Horse's Mouth he is scheduled to make a film version of The Scapegoat, by Daphne du Maurier. And after that? "Just keep going on, I guess...

Author: /time Magazine | Title: Cinema: Least Likely to Succeed | 4/21/1958 | See Source »

Bloomgarden's knack of spotting a good property has built up a roster of backers who will put up cash for anything he picks. Should an investor have more confidence in a producer than in a director or actor? "Definitely," says Bloomgarden. "A director looks at a script and says, 'Boy, what I can do with this!' An actor says, 'How good I'll be in this part.' A producer has more integrity. He has to-he has more people to worry about...

Author: /time Magazine | Title: The Theater: Good Pickings | 4/21/1958 | See Source »

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