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Word: scripting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

These incidents are not taken from the script of the next John Wayne movie or from the citations of Medal of Honor winners. They are simply the everyday stuff of battle in Viet Nam, where, according to a new study, unsung and unrecognized physical heroism is routine. In combat, the American serviceman turns out to be just as remarkable as he appears on film...

Author: /time Magazine | Title: The Body: The Hero in Every Man | 5/16/1969 | See Source »

...LOVES OF ISADORA. Vanessa Redgrave performs magnificently as Isadora Duncan, that quintessential free spirit of the early 20th century. Director Karel Reisz starts at the end of Isadora's life and works backward and sideways to achieve dramatic contrast, but the script lacks a unifying point of view...

Author: /time Magazine | Title: Television: May 9, 1969 | 5/9/1969 | See Source »

...film. Once or twice I got the feeling they had pro-rated her across the hour and forty-seven minutes. She could have been a great character because many people right now are looking for something like her. But she has not been developed in the script as well as Miss Kreski plays her and, except for the physical image, you often have to use your imagination...

Author: By Thomas M. Caplan, | Title: B-School Boy Meets 'Virgin Sex' | 5/9/1969 | See Source »

...script, in fact, seems tailored for her heavy tread. A British P.O.W. named Brooks (Oliver Reed) wangles a cushy work detail in a German zoo, where he spends his days caring for the prize elephant (Aida). He develops a platonic crush on the poor beast, so that when the Allies bomb the zoo Brooks resolves to lead his pal to safety across the Swiss border. With the help of the Yank leader of some highly irregular troops and the customary blundering and stupidity of the Nazis, Brooks makes it across the river into the trees and over the Alps (Hannibal...

Author: /time Magazine | Title: New Movies: Dumbo Goes to War | 5/2/1969 | See Source »

...these are in one sense just good film-making; they exploit a given dramatic situation. Choosing a certain camera angle or a certain lighting merely extends the expressive possibilities which the script offers the director. But in Ulmer's case exploitation becomes flights of pure imagination. In one scene Karloff goes to put out the cat. He walks down a dark hall into a gallery lined with glass cases. Passing from one, in which a blonde woman in a white frock is suspended, to the next, his reflections in the glass and the woman's frame each other and make...

Author: By Mike Prokosch, | Title: The Black Cat | 4/26/1969 | See Source »

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