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Word: scripting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Ingrid Bergman's oft-praised Joan in Maxwell Anderson's stage and movie versions or the mystical intensity of Julie Harris in Jean Anouilh's The Lark. She settled instead for her own ability to move between ingenuous youth and wide-eyed fanaticism as the script demanded. The sight and sound of her snapping the weakling Dauphin (Roddy McDowall) into action-"I shall dare, dare, and dare again, in God's name! Art for or against me?"-was a remarkable demonstration of her stage presence...

Author: /time Magazine | Title: Programming: Brightened by Specials | 12/15/1967 | See Source »

Dunn had tentatively approved the play last Monday without seeing a final copy of the script. He did not actually read the script until last Saturday...

Author: NO WRITER ATTRIBUTED | Title: Quincy Christmas Play Cancelled; Farce Is Described As Offensive | 12/12/1967 | See Source »

...script next went to Jean-Luc Godard. "He came over and said, 'Great, let's do it now,'" recalls Newman. "He wanted to leave right away for Texas and do the movie in two weeks." But the producers-two friends of Benton and Newman who had never done a movie before-procrastinated. The film was supposed to take place in summer, they argued, and this was winter. Godard abruptly cooled on the subject. "All they can think of is meteorology," he complained, and flew back to Paris. Exit Godard...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

Enter Beatty, who had heard about the script in a Paris conversation with Truffaut. Beatty found Benton and Newman in New York City, liked their work enough to wait out the original producers' option, then bought the property for $75,000, intending to produce as well as direct under a contract with Warner Bros. Sister Shirley was to star as Bonnie. Eventually, he decided that he ought to play Clyde, which meant that Shirley had to go; after all, the picture featured more than enough gore and transgressions without seeming to add incest to injury...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

...cutting-room floor would take place 2,500 miles from the home base of Warner Bros. To Jack Warner, 75, who liked to make his own pick of the rushes, everything but salami should be cut in the studio. More problems were to follow-arguments about sound, music, casting, script, going on location in Texas. To solve them, Beatty poured on the charm and indulged in some mock histrionics...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

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