Search Details

Word: scripting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Coburn's real opposition is neither the underdressed Amazons who want to pursue him nor the overplayed villains who try to undo him. It is the same slipshod kind of script that nearly stoned the first cast and this time ensures a sparkless Flint...

Author: /time Magazine | Title: Cinema: Gals' Roguery | 3/24/1967 | See Source »

Miller was more concerned with theme than with characterization, and most of the male roles read like emblems or attitudes rather than people. As a result, an actor must add character through gesture or vocal power where the script doesn't supply it. Finch's male actors aren't good enough; all of them give unmodulated one-note performances. If an actor happens to hit the right note, as in the case of Tim Hall's paranoid Danforth, the performance can be extremely effective. But in the first two acts, Steve Hill as the nasty Reverend Parris and John Brady...

Author: By Tim Hunter, | Title: The Crucible | 3/24/1967 | See Source »

Lynn meanwhile had another feast on the crumbs from Vanessa's table. Just before Blow-Up came along, Vanessa had backed out of a commitment to play Georgy Girl. (It was just as well, since the script says that Georgy "looks like the back of a bus.") Offered the part, Lynn grabbed it and put on 18 Ibs. of omnibustle. The Redgrave rampage...

Author: /time Magazine | Title: Actresses: Birds of a Father | 3/17/1967 | See Source »

...Taming of the Shrew. "We intend to make Shakespeare as successful a screenwriter as Abby Mann." Thus spake Director Franco Zeffirelli last year when he began filming The Taming of the Shrew. The screen credits maintain the mock-the-bard tone: script billing goes to Zeffirelli, Paul Dehn and Suso Checchi D'Amico, with a coy acknowledgment "to William Shakespeare, without whom we would have been at a loss for words." The irreverence in this case is less a shame than a sham. Despite the disclaimer, Zeffirelli has succeeded in mounting the liveliest screen incarnation of Shakespeare since Olivier...

Author: /time Magazine | Title: Cinema: King Leer, Wild Kate | 3/17/1967 | See Source »

...care for Miss Vaill's performance. She remains far too sane and above the action of the play, entering the games only when the script forces her to. Lacking the throughgoing cruelty of the other characters she offers nothing in its place and contributes to the dullness, soon banished, which stains the first...

Author: By Charles F. Sabel, | Title: A Flea in Her Ear | 3/4/1967 | See Source »

Previous | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | Next