Word: scripting
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Dates: during 1960-1969
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...invent the bawdy song: it's been around for some time. As for LSD and pot, they are what's happening, and it would be surprising if pop songs didn't take account of them. Rock 'n' roll didn't write the script, it only made the scene. But the main thing is that rock 'n' roll is the first original development in popular music since jazz. Groups like The Beatles and The Stones display a phenomenal melodic inventiveness and a harmonic and contrapuntal imagination that even us squares...
...architecture has recourse to Moorish arches of the typical multifoil horseshoe type. In keeping with the mellow glow that permeates the script, Armstrong has used light buff walls with abstract Turkish surface decoration--a gold for Duke Orsino's palace, and in pink and blue for Lady Olivia's house...
...Cervantes and Don Quixote at the same time. Wasserman decided that it was a failure "because it aimed a little too high and wide for the medium." So he tried to turn it into a play, then a musical. By 1962 he had fashioned an interesting if offbeat script dealing with Cervantes' windmill-tilting life. And tilting a little himself, he started collaborating with a couple of unknowns, Songwriter Mitch Leigh and Lyricist Joe Darion. Albert Marre (Kismet, Milk and Honey) agreed to direct; Singer Joan Diener and Perennial Leading Man Richard Kiley (Redhead, No Strings) signed...
Against the surreal landscapes of Mozambique, Bechuanaland and Transvaal, Director Wilde unfolds this simple tale with elemental force, and acts it accordingly. His natives are not the usual faceless blacks but human beings whose capacity for violence the hero quickly matches. In the script, sparely written by Clint Johnston and Don Peters, a few scraps of English dialogue and African dialect count for less than the surprise of a snapping twig or the insistent throb of drums, injected into the bloodstream of the film like so many shots of adrenaline. Without insulting modern Africa, Naked Prey writes the wild poetry...
...Franco Zeffirelli, the irreverent Italian director who once did a modern-dress Hamlet in which the Dane intoned: "To be or not to be, what the hell!" Zeffirelli's notion is that Shrew is a walloping good story that audiences can eat up, the Elizabethan language of the script notwithstanding, and he predicts that the film "will go over well with a Walt Disney audience." In fact, he says, "we intend to make Shakespeare as successful a screenwriter as Abby Mann...