Word: scripting
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Dates: during 1960-1969
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...problem is that Michael Cacoyannis has unforgiveably tried to wring emotion from a stone-dry script, presumably to titillate the crowd in the Broadway bleachers. In imitation of Luther, or perhaps even The Sound of Music, Cacoyannis punctuates the play with obnoxious Gregorian chant. His minor characters, whom Whiting wisely kept undeveloped to preserve focus, become caricature roles of great distraction. Cacoyannis also revives The Trojan Woman by turning the Ursuline Nuns into a Greek chorus...
...that won 97. A pinchhitter comes off the bench to clout two pinchhit home runs. A substitute outfielder makes one fantastic catch, brushes briefly with immortality-and for years afterward, people ask: Whatever became of Sandy Amoros? But last week's Series stuck strictly to the script...
...product of groupthink when Talent Associates saw The Man from U.N.C.L.E. rising on the ratings and shrewdly suspected that the Bondwagon had room for one more. They commissioned Old Pro Mel Brooks (The 2,000-Year-Old Man) and Young Pro Buck (TW3) Henry to hack out a script about a fumbling hero. Instead, Brooks and Henry decided to make him a bumbling zero. Brooks recalls, "I was sick of looking at all those nice sensible situation comedies. They were such distortions of life. If a maid ever took over my house like Hazel, I'd set her hair...
Brooks and Henry originally took Smart to ABC, where network officials pronounced the script "too wild" and demanded a lovable dog to give the show more heart. Brooks and Henry went back and perversely put in a cowardly, mangy, wheezy dog that chased cars and bit strangers. "The executive who read the script, I'm told, screamed, 'It's un-American!' " recalls Henry. Adds Brooks: "They wanted to put a print housecoat on the show. Max was to come home to his mother and explain everything. I hate mothers on shows. Max has no mother...
During the next 25 years, Robert Emmet Sherwood became successively a well-known movie and book reviewer, magazine editor, script doctor, playwright (Idiot's Delight, Abe Lincoln in Illinois, There Shall Be No Night) and speechwriter to President Roosevelt. In this effusive biography, Critic John Mason Brown leans heavily on the lighter side. The reader hears all about Sherwood's sensational buck and wing, his low-keyed Algonquin witticisms, his red-eyed passion for high-stakes poker, model airplanes, and croquet in Central Park at $10 a wicket. Unhappily, Biographer Brown requires 386 pages to take his subject...