Word: scripting
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Dates: during 1980-1989
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...boardroom. "I play a lady executive sleeping her way to the top," Seymour reports. "In many ways she is the most honest of the characters." Still, the star was bothered about her new role. "Would a thinking woman, a feminist do this?" she asked herself, then decided that the script was "extremely funny and made sense." Another departure for Seymour are three scenes in scanty black underwear. Running around close to au naturel, she says, "is rare...
...millions, and even a couple of new stars-Richard Gere and Gregory Hines-but Puzo's script wasn't working. Enter Francis Coppola. He had once made a movie called The Godfather, from Puzo's novel, with Evans overseeing the production, and they all made pots of money. But now Coppola was deep in debt and willing to write Cotton Club for $250,000. Coppola loved his script; Evans thought it read like a PBS documentary. And so, while casting continued for roles that hardly existed and sets were built in a Queens studio...
...clear from watching Ben Halley Jr. and John Bottoms milk every metaphysical nugget of relevance out of this 1956 script that "Endgame" does not wear well in the postmodern and post-Cold War age. "Endgame," even more than the 1953 "Waiting for Godot," is a product of that decade, innovative for its time, but now hackneyed and cliched three decades after The Big Fear first osmotically seeped its way into the popular psyche...
...production, with its breathtaking subway set by Douglas Stein, appears more than anything else a valiant attempt to instill some life into what is essentially a theatrical museum piece. Director JoAnna Akalaitis has remained dutifully faithful to the script--down to Beckett's own mention of the Ritz cracker--even when the dialogue becomes an awkward partner to the massive visual impact of the subterranean set and Hamm and Clov garbed respectively as a Rastafarian and a grown-up street urchin...
...acting maintains a generally high level, but the limitations on character growth are written into the script. Roy Scheider turns in a respectable performance as Dr. Heywood Floyd, head of the American team, displaying his usual macho character and coolness in all situations. But the best acting in the movie definitely comes from John Lithgow '70, who portrays Walter Curnow, an engineer who is totally out of his element in a spacesuit. Playing the paranoid role, Lithgow at one point fumbles hilariously with the oxygen mixture controls on his spacesuit and floats helplessly in space hiccuping uncontrollably...