Word: scripting
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Dates: during 1990-1999
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...paradigm? Diana, Princess of Wales. Last week's jilted bride, Nicole Contos, followed the essential outlines of Diana's example. The script: 1)The man (Prince Charles, or Tasos Michael) is a rotten, unfeeling, abusive cad, and inflicts a humiliation upon a naive and innocently hopeful young woman. 2)Instead of a Havisham withdrawal, however, the young woman goes vividly public with her trauma and plays the story out in the media, turning her shame not only into triumph but into revenge. Thus Nicole paraded her drama all over national television last week. Broken dreams make you a star...
...fought to trim scenes. "We tried to get it done for the least amount of money and still allow Jim to get his vision on the screen," he says. But Cameron isn't one to compromise. And firing him wasn't an option. Not only had he written the script; he might be one of the few directors alive who could orchestrate a project of this scope. "We were already in for a lot of money," Mechanic says. "There was only one way to get our money out, which was to make the best possible movie...
...Role of Humor in Action Movies, Part II. There is a script imperative to sequels, it seems, to burlesque or mock the story's campier elements. Comedy pulls the rug out from under horror. Pretty soon, though, you have nothing: who has all the breath to laugh and gasp simultaneously...
...question remains unanswered--why does Williams give such an understated and subdued performance in Flubber? Williams has said in interviews that he wants to make movies he can watch with his kids--but there's no need for him to sink to the level of this harrowing script. There is no improvisation, no delicious pop culture references, no Williams silliness. Instead, he stays true to an underwritten character that needs a serious injection of humor. As a result of his repressed portrayal, the rest of the performances...
This could have turned out to be an exercise in easy sentiment, easy to shrug off. But Frank Cottrell Boyce's script is carefully understated, and director Michael Winterbottom has achieved a remarkably seamless blend of fictional and factual footage. You gain from their work--and from a wonderfully real cast that includes Woody Harrelson--a very powerful impression of a population trying to maintain the small comforts of quotidian routines, common civility, as the only available defense against the surrounding anarchy. And you begin to see the goodness of Henderson's deed not as a carefully considered moral...