Word: scripting
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Dates: during 2000-2009
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...Diversify Japan Inc. Japan must finally abandon the script it followed to become an industrial superpower. The global economic crisis has exposed the country's overdependence on its manufacturing-for-export model. GDP in the first quarter plunged a staggering 15.2% as demand evaporated for cars from Toyota, Honda and Nissan and for high-end electronics from Sony and Panasonic. Japan can no longer expect economic growth to be generated almost exclusively by a handful of powerful multinational manufacturers. Increased domestic consumption as well as investment in small- and medium-sized enterprises are needed to help drive economic growth. This...
...just got a BlackBerry last week. I dropped it in a garbage can on Saturday night. It's landed in a cup. The cup was half-full of beer. I no longer have a Blackberry," shared one conspicuous consumer. Another wouldn't have been impressed, and wrote in impeccable script (who needs to text?): "I love organic chemistry, and I don't mind that it has taken over my (social) life...
...just got a BlackBerry last week. I dropped it in a garbage can on Saturday night. It's landed in a cup. The cup was half-full of beer. I no longer have a Blackberry," shared one conspicuous consumer. Another wouldn't have been impressed, and wrote in impeccable script (who needs to text?): "I love organic chemistry, and I don't mind that it has taken over my (social) life...
...They saw something special in that short film, and Acker was encouraged to expand on it. The results are still on the skimpy side - the film is only 79 min. - and while reminiscent of Coraline's playful weirdness and Wall-E's plotline, lack the power of either. The script by Pamela Pettler, who also worked on Burton's Corpse Bride script, doesn't support Acker's ambition for profundity. Unless this is your very first postapocalyptic story, a line like the one Number 2 delivers - "Technology has been the ruin of us" - is more likely to induce...
...Burning Plain,” written and directed by the Mexican screenwriter Guillermo Arriaga, is the latest work to remind us that art and alchemy are not so different. At the risk of seeming to gush, no description will do the film justice. In both script and direction, Arriaga reaches for many familiar ingredients. But the result this time is different. You’ll recognize the Arriaga style from his previous films “Babel,” “21 Grams,” and “Amores Perros,” all directed...