Word: scripting
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Dates: during 2000-2009
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...Brookline’s Coolidge Corner Theatre, hours before receiving the Coolidge award. “That’s how I rationalized it, anyway.” According to Altman, those off-key imperfections color the film: “I was looking for mistakes to improve the script,” he explains. The climax of a month-long Streep celebration, Streep joined fellow actors John C. Reilly, Kevin Kline, and director Robert Altman after a preview screening of the film, to discuss both the craft and the award, which honors original and challenging film making...
...that the movie doesn't contain seeds of its own parody. Peter Barsocchini's script is so aware of its cliches, they almost become endearing. It sets up a dialectic of extremes. Troy's pal Chad (Corbin Bleu) proudly voices the philistine argument: "The music in these shows isn't rock or rap or anything essential..." and "They've got you thinking about show tunes when we've got a basketball game next week." (Why, that's un-American.) The Broadway side is taken by the mandatory snooty blond, Sharpay (Ashleey Tisdale), who calls the Garofalesque composer of the show...
...difference is the presence of an inspiring teacher. But Pierre Dulaine (Banderas) isn't a tough-talker in the Stand and Deliver or Coach Carter mold. Dianne Houston's script paints Pierre as a gentleman of the old school, who stands when a woman walks by and opens the door for her. "It's called courtesy," he explains to a boy who thinks the new guy is a Martian...
...French comedy by Jules Romain, upon first reading. The play follows the rise to power of the villainous Dr. Knock against the backdrop of medical hysteria in a small French town.Surprised by its lack of renown in the United States, he set about researching its history and adapting the script for American viewers, using more colorful, conversational language. Burkle’s creation—which will serve as the culmination not only of his academic career as a French Language and Literature concentrator, but also of four years spend immersed in the world of the Harvard-Radcliffe Dramatic Club...
...that she sought to “take the story that’s offered… on its own terms.” Myhrum suggests that this approach both exposes the ever-appreciated comic chaos of Gilbert and Sullivan’s work and the beauty of a script that “does something to get in touch with human emotion,” she says...