Word: scripting
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Dates: during 2000-2009
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...performance rivaled what only rarely happens to me in observing professional, ‘real-world’ theater. Indeed, Donahue’s prowess extended far beyond mere mise-en-scene. I had been cautioned, prior to attending The Physicists, that Dürrenmatt’s script had its imperfections. However, much to his credit Donahue has eliminated many of its weaker stretches, and the resulting dialogue and plot pacing is excellent for that intervention...
...movie is lacking something. It definitely was not Jon Voight, the consummate professional, who came through with a performance that rivals the one he turned in for The Karate Dog as his personal best in 2004. Maybe what it lacked was a good script, decent plot, and solid acting. Step it up, Jerry...
...that he has sold out. He has entered into a partnership with Huckabees, a chain of K-Mart-like stores, to throw some muscle behind his coalition to save a local wetland. Russell’s sly appropriation of American corporate-speak provide the best moments in the Huckabees script: therapy would be unbecoming for a corporate executive, so Brad rationalizes his sessions with “existential therapists” by insisting they are “pro-active and action-oriented.” While all of the characters in Huckabees seem primed to arc from ironic distance...
...main character, Michelle, played by Kimberly Elise, is raped by her mother’s boyfriend at the age of 12, and cannot reconcile her painful past with her spiritual quest for God. To Elise’s credit, she does as much as possible with such a weak script. On her time in jail: “I was getting raped in the shower and a woman was pulling my leg, just like I’m pulling yours.” This movie should be overnight Fed-Ex’ed to Lifetime, where they can show...
...back and this time she’s counting carbs, not calories. There are some other surface changes in the life of the world’s favorite singleton: she’s shacked up with the dreamy Darcy (Colin Firth) and is no longer, well, single. But the script is furnished with the same jokes from the first movie, except the second time the “watch Bridget fall flat on her face in a very short skirt” routine is less vaudeville and more ritual humiliation. The movie seems to perpetuate, rather than poke...