Word: scripting
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Dates: during 2000-2009
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...TIME: Given your fairly iconoclastic working methods and long shoots, how do you convince people to sign onto your projects, especially newcomers? How do you get them to believe in you? Wong: There's always a myth thing that we don't have a script or that everything is improvised. But that's not true. Most of the actors, when they join the production, they know their story. They don't know their whole story, but they know their chapter. Like Zhang Ziyi, because she knows she's going to play a ballroom dancer in the 60s, and she doesn...
...TIME: 2046 features a lot of actors who are new to you, like Li and Zhang. Is it difficult to accustom them to your working methods? Wong: The script actually develops with the characters. If you want to make a film with an actor or actress, there must be something that attracts you. I'm trying to exploit it, the quality that they might not even be aware of themselves. Normally, I don't ask people to act certain persons. It's just be you. Like Gong Li when I'm making Eros with her, I have kind...
...TIME: You started off your career as a screenwriter. Is it odd for someone who began their career as a writer to seemingly turn away from scripts altogether? Wong: I worked as a writer for almost 10 years, and I realized the purpose of the script is as a prescription to make everyone seem to know what they're doing. And the role of the writer is like a psychiatrist to the director. During the productions, the director has a lot of queries. sometimes he has second thought on this idea and he want to make sure this line...
Continuing its tradition of wacky and whimsical musicals, the Hasty Pudding Theatricals has released the script for its 157th production, a romping tribute to the Wild West...
...script, tentatively titled HPT 157: “Casino Evil,” was co-authored by John P. Blickstead ’06 and Margaret Shipstead ’05, novice playwrights well-versed in the Pudding’s style and history...