Word: scripting
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Dates: during 2000-2009
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...given solo writing credit on two Marx Brothers films (At the Circus and Go West). Groucho Marx, the mustached brother, once said that beginning his friendship with Brecher was "the only good thing about making At the Circus." Groucho--in a play off of Brecher's uncredited role as script editor on The Wizard of Oz--also bestowed on Brecher the nickname "The Wicked Wit of the West." Brecher used that wit to create the long-running radio series The Life of Riley and pen the Academy Award--nominated screenplay for Meet Me in St. Louis...
...secret agent and Anatoly’s chess second, Jay D. Musen ’09 reaches registers lower than Siberian temperatures. Vanessa Tantillo entertains as the brassy arbiter who just wants the players to finish the game. But it is Mallory who takes the spotlight. Despite a bland script, she portrays a fully realized Florence. Her singing hits the mark throughout, and her songs, “Heaven Help My Heart” and “I Know Him So Well,” are the most successful pieces of the musical...
...Flores knows her script; her five semesters on the UC have endowed her with a wealth of knowledge about the organization’s structure and function. But sitting back in her chair, sometimes speaking quickly, her delivery reflects some lingering shyness...
...Morgan's script has events push Frost against the ropes, the better to show how he rallied to win the fight. In a career slump after losing his Australian TV gig, he secures a contract for the Nixon interviews but must pay $200,000 out of his own pocket. The three big U.S. networks refuse to buy into his scheme, and he borrows money from friends. (He eventually creates a de facto network of independent stations to air the interviews.) Of the two reporters he hires to research Nixon, one, Bob Zelnick (large, puddingy Oliver Platt) is cynical of Frost...
...reflected in Eastwood's method as a film director. Others take years to nurse a project; Eastwood revved up Gran Torino in June, started shooting in mid-July and had his final cut by the end of October. This cool efficiency endears him to screenwriters (if he likes a script, he shoots it without demanding a million rewrites) and most actors (if he likes Take 1, he prints it and goes to the next scene). Hey, it's only a movie. And often--say, Breezy, Pale Rider, Unforgiven, Million Dollar Baby, Flags of Our Fathers, to skim five...