Word: scripting
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Dates: during 2000-2009
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...rables, and last year she even figured out a way to get a helicopter to lift off the stage for a production of Miss Saigon. But that was kid stuff compared her challenge this spring: staging the nation's first licensed high school edition of Rent. Though the script had been pruned of most of the roughest material, this is still a musical in which most of the characters are either on drugs, suffering from AIDS, or having sex with members of their own sex. Yet a precautionary letter she sent to parents of the cast seemed to defuse...
...limits and making people see things differently. It's actually fuel for my creativity. UEKRONGTHAM: As artists, we're used to what we call "out of bounds" markers and tend to work around them. If you want to talk about something political, you need to come up with a script that deals with it allegorically as opposed to just confronting...
...beginning of Iron Man - directed by Jon Favreau from a script by Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway - Tony Stark is nearly a cartoon villain, though he's drawn in the bold, confident strokes worthy of a '60s Marvel Comic cover by Jack Kirby. He has a Mephistophelean goatee and a glint in his eyes that suggests this former boy wonder is a genius at wasting his genius. He's a devoted practitioner of pride, lust and avarice, to name the fanciest of your deadly sins. This is a man who has got it all: wealth, power...
...Broadway production, set in an insane asylum, in which the actors played their own instruments on stage. While each of these versions exaggerated the characters’ derangement and London’s grittiness, the HRDC production seeks to return to the original feel of the script. “We wanted to try to take what was there originally and showcase that,” says Jason M. Lazarcheck ’08, one of the stage directors. “It’s just a great story and great music.” While the alternate versions...
...bohemia,” Rodriguez says, explaining that Harvard students engage in little of the laid-back philosophizing that Spanish students do. “Nobody has time to stop and dream or contemplate or reflect.”A bohemian ethic pervades Miguel Mihura’s 1932 script, which revolves around a man who reaches a crossroads in his life and realizes that he can no longer live by following societal dictates. In addition to a thematic focus on the importance of questioning assumptions, the absurdist aesthetic of “Tres sombreros de copa” promises...