Word: scripting
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Worse still, rookie writer/director Julio DePietro doesn’t seem to realize that if you have to give your characters frontal lobotomies periodically to make your plot work and get your message across, there’s probably something fundamentally wrong with the script. The problem is that when a filmmaker both writes and directs, there’s no one there to point this...
What follows is a predictable love triangle in which Fielding’s protégé slowly grows closer with Fielding’s girlfriend. But to move us along without waiting for such inconveniences as “character development,” the script decides to just drastically rewrite the personalities of the main cast...
...moral about how being true to one’s self is a greater pleasure than all the money, luxury, and girls that charm can buy. “The Good Guy” forgets that it’s hard for a film to preach integrity when its script has none...
...effective use of the film’s actual New York location, excluding several overhead shots of the projects. In fact, the only neighborhood in Brooklyn mentioned in the entire film is Bedford-Stuyvesant, and that is only in passing. On top of using essentially stock characters in the script, Fuqua does nothing to give the film any legitimate New York feel...
...meaning Fish achieves with the present-day setting is negated by the baffling stark and technological aesthetic he forces on the show, which works against the script rather than with it. Videos projected onto a gigantic screen throughout the production are particularly off-putting. Even when the video works in a technical sense, it is distracting, unnecessary, and alienating. This is no fault of video designer Joshua Thorson, whose work is actually quite charming by itself. Rather, any video—even as engaging as Thorson’s—simply makes no sense here, where...