Search Details

Word: scripting (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...culture references of “Slevin” before. Director Paul McGuigan and writer Jason Smilovic owe the larger part of their souls to Guy Ritchie (for flashback sequences with crazy lens shading), John Woo (for slow-motion fight scenes), and Quentin Tarantino (for the entire script and plot...

Author: By Hayes H. Davenport, CONTRIBUTING WRITER | Title: Lucky Number Slevin | 4/5/2006 | See Source »

...didn't win any Oscars, however, and that's because it was horrible, not because of some conspiracy against digital technology on the part of the Academy of Motion Picture Arts and Sciences. All the technical achievement in the world can't make up for a horrendously bad script. If Lucas wants to save the movies, he had better hire some of the writers who helped him turn the original Star Wars and Indiana Jones films into the smart, action-packed and interestingly plotted films that we all love. Georgia Manry Portland, Oregon, U.S. Those who prefer film over digital...

Author: /time Magazine | Title: Coming Soon to a World Near You | 4/4/2006 | See Source »

...didn't win any Oscars, however, and that's because it was horrible, not because of some conspiracy against digital technology on the part of the Academy of Motion Picture Arts and Sciences. All the technical achievement in the world can't make up for a horrendously bad script...

Author: /time Magazine | Title: Letters: Apr. 10, 2006 | 4/2/2006 | See Source »

...script strays into strange territory like a befuddled traveler. Scenes such as the aforementioned kidnapping--Loretta's loopy/jealous stapler-salesman boyfriend Dave (Tom Barnett) throws Michael into his car's trunk--are so top-heavy with look-at-me absurdness that they nearly capsize the whole effort. Yet Yates is able to keep the proceedings afloat partly through a consistent aesthetic awash in kitschy tones...

Author: /time Magazine | Title: Misfiring Misfits | 3/27/2006 | See Source »

...destroyed by sheer pettiness. Need a reason for the world’s collapse into anarchy, a basic premise of the movie’s storyline? Easy, blame it on the Iraq war (“America’s war grew worse and worse” the script ominously tells us). Need a ready-made authoritarian figure? Make him white, conservative, and religious, and make his party’s symbol the Christian cross. Need targets of discrimination? Easy, make them racial minorities and homosexuals. Need a criminal conspiracy? Easy, use big business. It is only pettiness that...

Author: By Mark A. Adomanis, | Title: V for Vacuous | 3/22/2006 | See Source »

Previous | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | 152 | 153 | 154 | 155 | 156 | 157 | 158 | 159 | 160 | 161 | 162 | Next