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Mangold, who worked extensively with Cash on the Walk the Line script (see box), could not imagine doing the movie without Phoenix. The actor, in turn, could not imagine passing on the role. "I had been desperate to disappear into a character completely," he says. Mangold believed that for the film to be authentic, the actors needed to play and sing, not rely on looped music. "With all due respect, I don't think of Natalie Wood's performance in West Side Story as one of the hallmarks of musical cinema," says Mangold. (As for Ray, 2004's biopic about...

Author: /time Magazine | Title: Fade To Black | 10/23/2005 | See Source »

Zakharevich’s program, featured on her website (www.people.harvard.edu/~zakharev), has two parts. The part that a user sees is a display of white boxes, controlled by a Common Gateway Interface (CGI) script, that organizes numbers in a sudoku grid. Another program, written in a computer language called Objective Categorical Abstract Machine Language (OCaml), does the actual number evaluation behind the scenes...

Author: By Elaine Chen, CONTRIBUTING WRITER | Title: For Logic Problem, A Technical Solution | 10/21/2005 | See Source »

...recalled most of the time being spent not on the number-evaluation component itself but on manipulating the CGI script which controls the sudoku display, making it more user-friendly...

Author: By Elaine Chen, CONTRIBUTING WRITER | Title: For Logic Problem, A Technical Solution | 10/21/2005 | See Source »

However, most of the jokes come from the interaction between wimpy Harry and hard-boiled Perry. The script can’t help but fall back on old standards and gay-baiting: Perry’s phone lights up with an obnoxious “I Will Survive” ringtone, and he gets himself out of one jam by seducing an armed thug...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: Kiss Kiss, Bang Bang | 10/20/2005 | See Source »

...Many Harvard students have already started on similar paths in the pattern of Hughes’s map, directing full-scale productions with the HRDC. The road to achieving student directorial premieres is a rather well-paved one at Harvard. A would-be student director typically selects a script, finds a staff and producer, and then applies to the HRDC board. Once the application is approved, the director chosen serves as the creative head of the production and is entrusted with almost complete creative license for the work. With his production of “Rocky Horror” slated...

Author: By Madeline D. Ross, CONTRIBUTING WRITER | Title: ‘Lulu’ Director Illuminates Students’ Career Paths | 10/20/2005 | See Source »

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