Word: scripting
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...home studio, 20th Century Fox. Since 1997, Cameron had been largely absent from the Hollywood scene, riding in submersibles, shooting documentaries and building new filmmaking toys. In 2005, Fox funded a $10 million, 5-min. prototype for the movie, but when Cameron delivered a 153-page draft of the script months later, the studio balked. Here was an ambitious project with a lot of risky elements, including unproven technology, blue protagonists with tails and a script that wasn't based on a comic book, novel or video game - making it unique for a big-budget film in its time...
...starters, this summer when her husband held the customary I-have-disappointed-my-family press conference, she did not appear alongside him. This was a doubly wise move, since the governor apparently chose to make the most emotional and difficult announcement of his life without a script. Not only did Jenny Sanford avoid looking like a fool for literally standing by her man, she didn't have to be associated with what quickly devolved into a p.r. train wreck. (His rambling, 18-minute speech included weeping, a mention of his lifelong love of camping and a "surreal" conversation...
...find them in the Old Testament (Cain and Abel), in medieval romance (Heloise and Abelard) and in 19th century poetry (Tennyson's "Enoch Arden"), not to mention dozens of movies about men whose wives think they're dead and marry someone else. All these motifs appear in the script that Anders Thomas Jensen wrote for Susanne Bier's 2004 Danish film Brodre, of which Brothers is a nearly scene-by-scene, sometimes line-by-line, Americanization. Except for a few stunt exercises, like Gus Van Sant's Psycho and Michael Haneke's remake of his own Funny Games...
...into the darker side of this romantic narrative. Still, while the publicity materials emphasized the edgier aspects of the plot, the parts that were cut from more conventional productions, this version is actually quite traditional in terms of its content. Few changes seem to have been made to the script, and the visual aspects of the show—the costumes, the set design, the choreography—remain true to the story’s original tone...
...reversing this formula instead of developing on it. But the utterly blank faces of Fox, his family, and friends—posturing, wry, flummoxed, or brooding countenances as they fit their respective characters—allow for development that’s left totally up to the script. Fox’s son Ash, voiced by Jason Schwartzman, another perennial Anderson collaborator, strikes the perfect timbre between obnoxious humor and endearing awkwardness. Schwartzman’s delivery is appropriately adolescent, all but reprising a more frustrated Max Fischer—the protagonist of “Rushmore...