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Word: scripting (lookup in dictionary) (lookup stats)
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...CHUNG: Hey Ben. I fully agree that the writer is most often responsible for a film’s quality. I find it almost impossible to enjoy a movie based on acting, cinematography or editing alone; alternately, a solid script can salvage even the most scantily budgeted, poorly acted production. As Sam Huntington might say, if films were chili, the cast and crew would simply be ingredients that could only enrich the essential tomato stock of the screenplay...

Author: By Ben B. Chung and Ben Soskin, CRIMSON STAFF WRITERSS | Title: How to Cure the Blockbuster Syndrome | 4/9/2004 | See Source »

...Sunday, the Tigers had cruised to a dominant 6-0 advantage over the Crimson in the first few innings, only to see that lead ultimately squandered away in an 10-7 defeat. Yesterday, although the actors may have been different, the script was eerily still the same...

Author: By Pablo S. Torre, CRIMSON STAFF WRITER | Title: Crusaders Storm Back Against Crimson | 4/8/2004 | See Source »

...likability factor of the Coen brothers is so strong that even when an idea seems bad (like retreading the old British movie The Ladykillers) and is not even theirs (the Coens were hired to write the script and then took on the whole project when Barry Sonnenfeld dropped out as director), Tom Hanks signs up at below his usual salary. "I wanted to work with the guys," says Hanks. "If someone said, 'Disney is remaking The Ladykillers,' you'd probably just run away. But the Coen brothers live in this alternative world where they don't have to adhere...

Author: /time Magazine | Title: Movies: They Ain't Heavy... | 3/29/2004 | See Source »

Throughout the rehearsal, Hay intermittently mouthed the words of the script as the actors spoke them...

Author: By Andrew C. Esensten, CRIMSON STAFF WRITER | Title: Law School To Produce ‘The Crucible’ | 3/22/2004 | See Source »

It’s a mark of the strength of the team behind Roberto Zucco that they aren’t sunk by its script, which is one of those laughably pretentious philosophical treatises that stink up the Ex with fair regularity. Briton Martin Crimp’s affected translation (from Bernard-Marie Koltès’ French original) gives Roberto Zucco much of its campiness, but the play’s plot is no treat, either. Its title character (John Dewis) is a multiple murderer who enjoys making uninformative speeches about the place and nature...

Author: By Benjamin J. Soskin, ON THEATRE | Title: Review: 'Zucco' Succeeds Despite Script | 3/22/2004 | See Source »

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