Word: scripting
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This summer, Subrin will travel to the Sundance Institute for what she calls her “biggest accomplishment.” The script, one of eight chosen from over 3500, was selected by the institute to be have four scenes shot with a professional cast and crew. Fellow VES Rudolf Arnheim Lecturer on Filmmaking, Robb Moss says Subrin was chosen “because her work is interesting and fresh.” He explains, “She works at creating images that flow off of each other to create an idea rather than strictly following the fiction...
Nonetheless there were a number of worthy elements in the show. Dick showed perhaps the best instincts in the cast: when she started talking and stopped talking, it felt natural and unforced, not something merely demanded by the script. Hillhouse had many fine moments, exhibiting a crisp, clear voice and a talent for knowing how to throw away a line to get a laugh. Shalhoub handled Beth’s vocal and physical handicaps expertly throughout the show, and Bass offered the right note of impassioned incredulity as Beth’s unwilling love interest...
...dynamic script and creative staging contributed to this weekend’s insightful and polished performance of Private Eyes. Exploring the division between truth and falsity, imagination and reality, the intriguing plot kept the audience both amused and guessing. An innovative reframing of the classic love triangle between leading lady, director and leading man, this staging was refreshingly conscious of its niche as part-parody, part-remake...
...kiss or shoot anybody, and he kind of sashayed through most of the film, but Pirates proved that with the right material, Depp can be a huge multiplex draw. His long-suffering agent didn't want him to take the part. "He was pitched the movie without a script," recalls Jacobs. "They basically said, 'We're going to make a movie out of this theme-park ride. Want to do it?' And he said, 'Great! I'm in. I believe in the idea.' I just thought, What idea, you lunatic...
Like you, I love The Manchurian Candidate, and, like you, I’m apprehensive about the remake; I don’t think that Jonathan Demme’s flair can compensate for a script written by a guy whose past credits include The Sum of All Fears and Doc Hollywood. On the other hand, I don’t think that remakes are necessarily bad, especially with the right cachet; I was fine with paying top dollar to see the Psycho remake, for example, because I couldn’t pass up the chance to see William...