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...shows on TV are more heavily rewritten than Yorkin and Lear's. Whether a script originates with their staff or is one of the 60 percent that come from freelancers, Yorkin and Lear usually see that it gets torn to pieces. The story line acquires new twists, the dialogue is recast, sometimes new characters are added...

Author: /time Magazine | Title: The Team Behind Archie Bunker & Co. | 6/25/2001 | See Source »

...outrageous but likable" general in the 1966 movie "What Did You Do in the War, Daddy?" O'Connor's participation in the development of Archie's character has become so passionate that it frequently causes tension on the "Family" staff. At times he flatly refuses to perform a script that does not conform to his conception of the role. An example was last season's episode about Archie's being trapped in a stalled elevator with a middle-class black and a Puerto Rican girl about to give birth to a baby. It was used only after Lear overrode...

Author: /time Magazine | Title: The Team Behind Archie Bunker & Co. | 6/25/2001 | See Source »

...season. Two winters ago, it was over the episode about homosexuality that President Nixon so disliked; last winter, a show on which Son-in-Law Mike's exam jitters made him sexually impotent. Smaller crises abound, as when CBS succeeded in knocking out the word "Mafia" from one script, the term smart-ass" from another...

Author: /time Magazine | Title: The Team Behind Archie Bunker & Co. | 6/25/2001 | See Source »

...Unicycles. Yorkin and Lear's flourishing careers over the next eight years defied geometry, being two parallel lines that finally intersected. In1959, well after Lear had drifted apart from Simmons (now a script developer at Universal Studios), the new partnership of Tandem Productions was founded. The first joint venture was the movie "Come Blow Your Horn," adapted from a play by former Lear Assistant Neil Simon, which everybody agreed would be a perfect vehicle for Frank Sinatra...

Author: /time Magazine | Title: The Team Behind Archie Bunker & Co. | 6/25/2001 | See Source »

...went into a card store just last week, looking for something to send to my grandmother, who has not been feeling well lately. I knew a card would make her smile, and I wanted something loving but not sappy, written in clear bold letters, not that terrible flowery script. I wanted something she could read and display with some pride. I did not want to send her a card that would make her blush and which she would probably feel the need to hide somewhere. Unfortunately, thirty minutes into my lunch hour, that's pretty much all I'd found...

Author: /time Magazine | Title: Decline of the Greeting Card: We Care Enough to Send Their Very Worst | 6/20/2001 | See Source »

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