Word: scripting
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...March, days after finishing his controversial film Eyes Wide Shut. But that may not be the last moviegoers see of his work. Warner Bros. owns the rights to AI, a science-fiction flick Kubrick wanted to do about artificial intelligence. Warner co-chief TERRY SEMEL says there is a script and even storyboards completed for the movie. Normally, Kubrick never did storyboards--he preferred to let movies develop over a long period--but he had to do them for AI, which mixes computer-generated figures with human actors. As with all things Kubrickian, the story line...
...unfamiliar section of the tour script, by Harvard standards, was the social scene speech: Greek life engaged "only" one third of the campus, we were informed, "so you can see that it doesn't control it." This seemed a particularly strange part of the shpiel, though the high-school students seemed to absorb it with no noticeable resistance. As a Harvard student I am by no means an expert on fraternity and sorority life, but if you could get a third of the Harvard students to do anything it would cause significant ripples. The closest examples would...
...number. But soon, Cruise recalls, they began "faxing each other back and forth, never really discussing the movie, just talking about airplanes and cameras." A year later, Kubrick faxed Kidman with an offer to be in the film with her husband. "I didn't need to read the script," says Kidman. "I didn't care what the story was originally. I wanted to work with Stanley...
...leisurely. "Stanley didn't work under the gun," says Kidman. "Time was the most important thing to him. He was willing to give up location to save money, but he wasn't willing to give up time." Obsessed with getting it just right, Kubrick wrote and rewrote the script while they were shooting it, sometimes faxing changes to his stars, often as late...
...pitch meetings and script sessions, in agents' offices and at poolside, the talk is of how many shooting sprees and explosions are too many and how much psychotic knife slashing is more than enough. Scripts are quietly being buried or reworked, movie websites reviewed and ad campaigns rejiggered. "Littleton had an effect on everybody," says Michael Pressman, new executive producer of CBS's Chicago Hope. "People are reeling creatively...