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...eyes twinkle not when he counts votes but when he quotes Edmund Burke or winds through the story of George Washington quelling a mutiny at Newburgh, N.Y. He was so taken with the portrayal of John Quincy Adams in the movie Amistad that he sent away for the script; he memorized passages about "the very nature of man" and uses them in speeches denouncing partial-birth abortion. "Henry is haunted by the ghosts of this place," says Lindsey Graham, a Republican member of the Judiciary Committee. "He feels as if all those who have come before him are looking...

Author: /time Magazine | Title: A Nice Guy In A Nasty Fight | 10/12/1998 | See Source »

...some black folks needed another reason to conclude that when it comes to race, some white folks still just don't get it. After a tape of the Pfeiffer pilot got out, it set off yet another overheated racial contretemps in Los Angeles. Like actors following the script of a bad sitcom about political correctness, a coalition of black organizations and politicians pulled out the rhetorical artillery to try to force UPN to cancel Pfeiffer (the P, as what passes for witty dialogue on the show constantly reminds us, isn't silent) before it ever airs. "The show trivializes...

Author: /time Magazine | Title: Dumb and Dumber | 10/12/1998 | See Source »

...seems churlish to take anything away from a film with such a unanimously powerful opening, with two pitch-perfect supporting turns from Jeremy Davies (the milk-livered translator), and an attention to history that is emotionally edifying and alive. Still, the connecting material by which Robert Rodat's script moves from the opening battle sequence to the last is less than wholly compelling, and the framing device of the ex-soldier in the cemetery is maudlin and cumbersome. But Spielberg hasn't gotten an ending right in at least 10 years. Again, disputation seems insolent in the case of this...

Author: NO WRITER ATTRIBUTED | Title: Brevitas | 10/9/1998 | See Source »

...panel discussion of the show following itsperformance, the director aNd several actors takeup the issue of the script's resilience. They hopethat The Death of Bessie Smith will not becordanted off into the traditional box of racialissues. However the interaction with audiencemembers quickly digressed into an actor's personalaccounts of racism and how his mother was affectedby them in her childhood. This works against whatthey are attempting to accomplish and proves asdoes the play that the opposite is true. We havemade progress since 1937, and more than condemningthe residual racism which exists today, theoutrages in this play underscore the achievementsthat...

Author: By Amy G. Piper, CONTRIBUTING WRITER | Title: Colors Clash in Albee's 'Bessie' | 10/9/1998 | See Source »

...late 1996, Winfrey sent LaGravenese's script to Demme. He read it on a Christmas vacation, called Winfrey and asked, "Now what do I have to do?" Finding a director was that simple. Making the movie was harder--not just re-creating Reconstruction-era Cincinnati in today's Philadelphia and Delaware but also finding the crucially right actors for four shifting, demanding roles, in which Glover would be the only other star. Newton, the Anglo-African actress who illuminated Flirting and Jefferson in Paris, came to the first script reading with an early, teasing hint of her character's mannerisms...

Author: /time Magazine | Title: Cinema: Bewitching Beloved | 10/5/1998 | See Source »

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