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...primitive! The actual color separations were done at home by ladies working in their kitchens! Really basic. It had been unchanged since the 1930s. And of course, we didn't even have fax machines. So Alan would have to physically send the script to me. When I started to run low on script, to keep me busy, he put the scripts in a taxi and paid $100 to get the script to me. Nowadays, script's done, send. Art's done, send...

Author: /time Magazine | Title: Watchmen's Dave Gibbons | 11/10/2008 | See Source »

...performance is, at once, comfortably familiar and perceptibly lethargic. Meanwhile, Scott is given very little material to work with, and it shows. His Wheeler is extremely one-note, and while the actor does an adequate job, his character’s lack of development is a serious flaw. The script went through several revisions, with the help of four different writers, including Rudd and director David Wain. Nonetheless, the plot is still rather predictable. In parallel fashion, both men bond with their young charges, disappoint them, and ultimately emerge as more mature and selfless individuals. Still, the film works best...

Author: By Evan T. R. Rosenman, CONTRIBUTING WRITER | Title: "Role Models" | 11/7/2008 | See Source »

...chance to see Vartikar-McCullough’s fresh and creative interpretation of Tenessee Williams’s play “Suddenly, Last Summer.” This is his directorial debut, and he has worked hard to combine his artistic vision and Tennessee Williams’s script in a completely new way. Trying to avoid a disconnect between the design and text of the play, Vartikar-McCullough—with assistance from collaborators—worked throughout the summer to design all aspects of the production, including the set, costumes, and lighting...

Author: By April M. Van buren, CONTRIBUTING WRITER | Title: SPOTLIGHT: Jason R. Vartikar-McCullough ’11 | 11/7/2008 | See Source »

...creative is very important,” Riverton says, “but the truth is, a lot of states can be made to look like each other very easily, so unless there is something so integral to the script or the movie that it has to be done in that state, there’s always going to be some cost-benefit analysis...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Projected Benefits | 11/6/2008 | See Source »

Highlight Reel:1. On Christie's chief auctioneer, Christopher Burge: "Many would die to get their hands on Burge's highly confidential 'book.' It's a sort of script for the sale. Tonight's contains sixty-four pages, one for each lot of art. A single page contains an annotated chart of where everyone is sitting, marked with who is expected to bid and whether that person is an aggressive buyer or a 'bottom-feeder' looking for a bargain. On each page Burge has also recorded the amounts left by absentee bidders, the seller's reserve (the price under which...

Author: /time Magazine | Title: The Art World, Demystified | 11/3/2008 | See Source »

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