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...script, which Harris and Robert Knott have fashioned from Robert B. Parker's novel, Virgil and his sidekick Everett Hitch (Viggo Mortensen) have come to Appaloosa to cleanse it of the violence, intimidation and corruption of Bragg and his men. That they will achieve their goal is virtually a given: How many times, in a standard western, has the bad guy won? (About as many times as the richest man in town has also been the most sympathetic.) What's at issue is not the speed of Virgil's hand but the intelligence of this cowboy's heart...

Author: /time Magazine | Title: Corliss on Appaloosa, an Old-School Western | 9/19/2008 | See Source »

...original script, by Russell Gewirtz (Inside Man), actually has an idea that hasn't been truncheoned to death in a zillion other movies: What if a cop were a serial killer? A peace officer certainly has motive, means and opportunity to knock off a dozen or so malefactors who probably deserve to die but have escaped conviction. The cop could truly believe that killing them is nothing less than righteous. He might think of himself as De Niro's Travis Bickle did in Taxi Driver, using his gun to wash the New York streets clean of their wretched refuse...

Author: /time Magazine | Title: Righteous Kill: De Niro and Pacino, ReHEATed | 9/12/2008 | See Source »

...years ago. No one ever gets to act - and this is a cast rich in good actresses - if by acting you mean the expression of authentic emotions. They are caught up in a zip-zap frenzy of words - and it is interesting how many lines in this script can be traced back to the Boothe original, which would not have been all that difficult to improve upon...

Author: /time Magazine | Title: The Women: Sex Crime | 9/11/2008 | See Source »

...young daughter. The Wrestler never rose above fight-movie bromides, never disspelled my gloom. The character stereotyping makes Sylvester Stallone's Rocky Balboa, by comparison, seem as swathed in moral twlight as Luchino Visconti's Rocco and His Brothers. The movie's serioso sentimentality is doubly strange since the script is by Robert Siegel, an ex-staffer of The Onion and co-writer of The Onion Movie. His old job was puncturing cliches; here he recycles them...

Author: /time Magazine | Title: The Wrestler: Mickey Rourke's Comeback | 9/6/2008 | See Source »

...real cause for celebration is that he alchemizes the dross of the script into a character with a palpable physicality and inner life. Behind the bulk of his hulk, a man's dogged decency is on display, and so, briefly, is Rourke's fallen-angel smile. In the scene that could cinch his Oscar nomination, he gets a long closeup as Randy pours out his clumsy love for his daughter. The speech is boilerplate sentiment, which the actor elevates to a passion as sweet as it is forlorn. If Rourke had to punish himself to look the part...

Author: /time Magazine | Title: The Wrestler: Mickey Rourke's Comeback | 9/6/2008 | See Source »

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