Word: scrolled
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...LATER TRADITION. Also at the Sackler is this comprehensive exhibit of Buddhist art from China, Korea, Japan, Tibet, and India that spans over a thousand years. Surveying the transmission of Buddhism throughout East Asia from the 10th through the 18th centuries, the exhibit features 72 pieces, including scroll paintings, Buddhist “sutras,” or sacred texts, Chinese censers, and Tibetan bell handles. See full story in last week’s issue. Through Sept. 7. Hours: Mondays through Saturdays, 10 a.m.–5 p.m. Sundays, 1–5 p.m. $6.50, $5 students/seniors, free...
...plot, which travels from Peking to Nevada, New York and London in search of a sacred scroll?but never makes it to Shanghai?is serviceable. The script contrives to convene every Victorian celebrity, from Jack the Ripper and Arthur Conan Doyle to Queen Victoria herself. The stars have an easy rapport, and share it graciously with Singapore TV-diva Fann Wong, who's quite appealing as Chon's sister. It's all disposable, second-rate fun. But at least director David Dobkin had the bright idea to let Chan, for the first time in a U.S. film, supervise the action...
...exhibit’s informal centerpiece consists of four monumental hanging scroll paintings that depict “The Kings of Hell.” In the Buddhist tradition, the Kings of Hell controlled the fate of the dead, judging good and bad deeds and meting out horrific punishments. The scroll paintings – from China, Korea, and Japan – present these scenes of the underworld in similar fashions, evidence of a strict adherence to iconographic convention throughout East Asia. “I hope the viewer realizes that Buddhist subject matter remains the same in Asian...
Mowry’s favorite piece in the show is a 14th century Korean scroll painting of a bodhisattva (an enlightened being who has chosen to help others attain enlightenment rather than reach nirvana himself), cloaked by thin veils of diaphanous silk. “The work is extraordinarily well painted and well preserved,” he said...
...three small galleries both explore developments in Buddhism and survey its transmission in East Asia from the 10th through 18th centuries. The three rooms chart Buddhism’s progress chronologically, with each room presenting a wide variety of objects – scroll paintings, wooden and bronze statuary, ceramics, ritual objects and figurines. “I hope visitors see the evolution of Buddhist iconographic types and regional and national styles,” said Mowry...