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...deny to Scholar Kinsey: 1) six naughty Chinese paintings dating from about 1750, 2) some spicy Parisian lithographs, 3) a handful of wooden and stone phallic symbols from China, 4) a little 18th century tome titled The Lascivious Hypocrite, or The Triumphs of Vice, 5) a rather obscene Japanese scroll, 6) filthy drawings and lewd notations, tagged simply, "lavatory wall inscriptions...

Author: /time Magazine | Title: People, Aug. 13, 1956 | 8/13/1956 | See Source »

Like their forebears', the violinmakers' first problem is finding the right wood. Some of it comes from the Italian Tyrol, some from the beams of 16th century buildings-fir for resonant belly and side walls, hard maple for back, neck and scroll. It is seasoned for 25 to 300 years. Testing for quality, the fathers twisted and tapped the wood as they worked it; their sons now listen with electronic ears and compute its acoustical properties. The instrument is put together with glue-also mixed for its resonant qualities-and at that point it is as mechanically perfect...

Author: /time Magazine | Title: Music: The Liutai | 6/11/1956 | See Source »

Teacher of Righteousness and Jesus Christ (TIME, April 2), scroll snobs reminded one another that Allegro, though his surmises seemed wild, had been one of the few to study the copper scrolls when they were opened (by coating them with plastic and slitting them into strips). Perhaps, they whispered, his high-wire speculations would prove to be sound after...

Author: /time Magazine | Title: Religion: Buried Treasure | 6/11/1956 | See Source »

...opening of the Arts Festival, "Expressions," at the International Student Center yesterday, Robert F. Bradford '23 (above) a former President of the Center's Board of Directors, received a scroll honoring him for his work, from Mrs. Myron A. Hofer and Teodoro Abueva, co-chairman of the festival...

Author: NO WRITER ATTRIBUTED | Title: International Artists Exhibit | 5/4/1956 | See Source »

...brushed it in with ink, it catches overtones of the full-throated, eerie cry that summons up another world, both lonely and mysterious. For to Graves, Nature and Symbol are one when seen with the artist's inner eye. His Concentrated Pine Top (opposite), done on a vertical scroll, gives a sense of strength and detachment, and is as Oriental in texture as it is in feeling...

Author: /time Magazine | Title: Art: MORRIS GRAVES: IMAGES OF THE INNER EYE | 3/5/1956 | See Source »

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