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Hansen, the women's open single scull champion in 1977, is racing in singles this year, as is the men's lightweight coach, Bruce Beall. "We de-emphasize the race because we start later than other schools." Beall says, referring to the Harvard crews. "We haven't done enough conditioning yet. The Head is a funny race. It emphasizes the coxswain's role because of all the cornering and passing. Conditions are not equal for all teams in that sense; sometimes you get caught behind a slow boat that won't pull over. A lot of fun, but just sort...

Author: NO WRITER ATTRIBUTED | Title: 19th Regatta Will Draw 3500 Rowers, 100,000 Spectators | 10/22/1983 | See Source »

...time Wood won in the sliding rigger scull, the apparatus was on probation pending approval by international rowing associations, and was later outlawed...

Author: By Peter J. Howe, | Title: Tiff Wood | 10/22/1983 | See Source »

...year in college. Kiesling seems to have submerged himself into the crew mindset fairly effortlessly. Even his love life he can't get away from crew. Witness this reminiscence of his first love "Karen and I first met on the dock at the boathouse as the carried her single scull down the gangway "How romantic Kiesling apparently employs the same methods to achieve success in all his activities. "She had loved me for the clarity that marked in all his activities. "She had loved me for the clarity that marked my endeavors, the purposefulness with which I attacked rowing...

Author: By David M. Rosenfeld, | Title: Trying Harder | 5/17/1982 | See Source »

...facilities are great here, and Harry will give us guidance now and then if we have a problem," Christopher R. Wood '75 said. Wood rowed a quadruple scull for the U.S. team at the World Games in Yugoslavia two weeks...

Author: NO WRITER ATTRIBUTED | Title: Boathouse Attracts Olympic Hopefuls | 9/26/1979 | See Source »

...tree, a fossil or (as has often been said) that great tourist attraction of Southern Italy, the plaster molds of dead Pompeians. Now and again, Segal made an identifiable portrait; the show includes the effigies of those New York Pompeians of the '60s, the collectors Robert and Ethel Scull, she complete with sunglasses and Courrèges boots. But as a rule, Segal's figures are not identifiable. They are generalized, spectral presences, muffled in the folds of calcified gauze, their skin roughened with residual abstract-expressionist drips and clots. It hardly matters that the stooped Gerontion...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

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