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Along with her work, Meryl found comfort in the companionship of Sculp tor Don Gummer, a longtime pal of her brother Harry's. Before some friends even knew they were seriously involved, they married in September 1978. Stage and film work kept Meryl on the run during her first months of marriage; since April, though, she has been staying home, where her husband works, in a sprawling studio-loft south of Greenwich Village. For fun they visit galleries and museums, go to the movies and entertain friends at home...

Author: /time Magazine | Title: Cinema: A Mother Finds Herself | 12/3/1979 | See Source »

Such experiments look recondite in the '70s, and they must have looked quite peripheral when they were done. The audience for them was small compared with that for a radical poet like Vladimir Mayakovsky, and the link that planar sculp ture sought between art and technology was often frustrated by shortages of materials and know-how. Still, these works cast a long shadow. The most surprising aspect of the show is the quality of some of the lesser known artists whose work Curator Rowell has ferreted out. One was Katarzyna Kobro, a Russian woman who worked with Malevich...

Author: /time Magazine | Title: Art: At the Meeting of the Planes | 4/16/1979 | See Source »

...disputes Guino's astonishing claim. In Paris in 1913, the 23-year-old Guino was asked to help Renoir work at his new interest - sculpting. Crippled by rheumatism and a stroke, the ailing 72-year-old painter was barely able to hold a brush, let alone handle sculp tor's clay. So, under Renoir's strict and detailed supervision, the young Guino executed the artist's conceptions. The collaboration continued for four fruitful years, apparently to the satisfaction of both men. Renoir attached his name to the works; Guino settled for a small...

Author: /time Magazine | Title: Property Rights: Sculptor or Chiseler? | 7/19/1968 | See Source »

...last October's Manhattan sculp ture festival, Artist Claes Oldenburg hired two professional gravediggers to shovel out a coffin-sized hole in Central Park, then fill it up again. Olden burg thereupon solemnly proclaimed the result a buried, invisible sculpture. Last month it was time for the West Coast's retort. At Los Angeles' Century City, three young artists constructed a sculpture that disappeared slowly before the spectators' eyes, vanishing without a trace within 24 hours. The form: a 110-ft.-long, 15-ft.-wide, 22-in.-high labyrinth. The material: dry ice, shaped into blocks...

Author: /time Magazine | Title: Sculpture: Evaporating Environments | 1/12/1968 | See Source »

Cubes & Guitars. The show, in sum, is a mirror of modern French sculp ture. The son of a poor Parisian worker, Laurens began his career, after stud ies with a decorative sculptor, in a rundown house on a dead end Montmartre street. The year was 1911. Cub ism was in full flower, and Georges Braque lived only a few doors away...

Author: /time Magazine | Title: Sculpture: Mirror of the Moderns | 9/1/1967 | See Source »

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