Word: sculpt
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Dates: during 1960-1969
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Part of his reserve results from the language problem. He speaks fluent but heavily accented English (Harvard comes out Ar-VAR), and when his mind races ahead of his vocabulary, he has to throw in a French word and sculpt the idea with his hands. In private conversation, Lacouture listens with intense concentration, ignoring the steak before him; then leaning forward to hear, he pulls his Dick Tracy nose, and nods emphatically as he understands the point. A smile breaks easily and often across his narrow face, accentuating the deep wrinkles of a Chet Huntley. Girls find him lovable...
...matchboxes in his pocket; and since then, try as he may, his lovely, attenuated figures still look like fugitives from a cane gang. Inevitably, Giacometti's search for essentials gave his work a lean and existential look, leading Jean-Paul Sartre to write admiringly: "For him, to sculpt is to take the fat off space...
There still are those who adhere to the permanence of cast metal. Michael Ayrton, 44, has painted for 29 years, but Moore got him to sculpt as well. Impassioned by Greek mythology, he wonders "what happens when you are partly animal and want to become wholly human." He makes his misshapen minotaurs, therefore, into symbols for man's stressful present. Bernard Meadows, 50, who assisted Moore from 1936 to 1939, also produces bronzes suggestive of figures withdrawn into abstraction. Tough, crablike carapaces cover highly polished softer forms like defenses for a vulnerable humanity...
...eleven. His later friends were abstract expressionists of a generation older than pop: Kline, De Kooning and Marca-Relli. Pepperonis & Provolones. In his 30s and 40s Agostini began making commercial sculpture. He made plaster mannequins for a fashionable Manhattan women's store. This led him to sculpt pseudo-delicatessenry for the U.S. Army Quartermaster Corps. He molded polyester salamis, pepperonis and meat loaves-stuff that by some pop values would be worth bundles...
When the lights go up for intermission at Funny Girl nearly everyone dives into the Playbill to find out all about Barbra Streisand. They don't learn much. Barbra is still onstage even in the biographical notes. She writes them herself. Her lifework has been to elevate and sculpt her own archetypic personality, and no string of drab printed facts is going...