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This summer’s exhibition “Alexander Calder: les années parisiennes: 1926-1933” at Paris’s modern art hub in the fourth arrondissement, the Centre Pompidou, definitely had tourists huffing and fanning the sculptor??s hanging masterpieces, but the exhibition was not at all limited in scope to Calder’s famous mobiles. Instead, the eight main rooms of the show offer a very diverse and multi-media approach to Calder’s oeuvre that make the blockbuster Kandinsky exhibition on the other side of building...

Author: By Lee ann W. Custer | Title: Thinking in Wire | 7/31/2009 | See Source »

Among the dozen other galleries, there are some that showcase artists working in particular media, such as the Boston Sculptor??s Galleries, and others that contain photography, painting, and mixed media pieces all together. But alongside the standout work, there are mundane, unimpressive pieces, like the series of two-colored figure outlines at the Allston Skirt Gallery, which are unsophisticated and repetitive...

Author: By Cara B. Eisenpress, CONTRIBUTING WRITER | Title: SoHo Art with Boston Flair | 3/18/2005 | See Source »

...sculptor??s artistic progression was also marked by the introduction of new materials into her work. Von Rydingsvard told the audience about a visit to an American Indian museum on the west coast. Here she was inspired by functional pieces made with walrus intestines. Based on this organic idea, she then incorporated animal parts—cow stomachs and hog intestines—into her work. Despite the gruesome sound of these materials, the resulting work is surprisingly elegant. The final surfaces appear smooth and supple, much like leather but not as artificial. As in her other work...

Author: By Karl A. Hinojosa, CONTRIBUTING WRITER | Title: Sculpting Humanity from Wood | 3/15/2002 | See Source »

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