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Word: sculptor (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...newest acquisitions, lifted into place last week, are two reliefs by Italian Sculptor Giacomo Manzù, 56, who did the Doors of Death for St. Peter's in Rome (TIME, July 24). Designed for the portal of the Palazzo d'ltalia, the bronze plaques replace a blatant bit of Mussolini modern-a 1935 glass panel of a lump-shouldered shoveler by one Attilio Piccirilli, inscribed ART IS LABOR; LABOR IS ART. "Brutto!" exclaimed Manzù when he saw it and, commissioned by the Fiat automobile company, engraved in 1963 his own images in bronze...

Author: /time Magazine | Title: Sculpture: Relief from Drabness | 5/7/1965 | See Source »

...pilgrimage. Another panel above the doors bears the letters ITALIA and a wishbone-shaped motif of intertwined wheat stalks and vines. Like the bunches of onions hanging in Manzù's kitchen near Rome, it is a fruitful symbol of the emigrant's search, as the sculptor says, for "the two principal things-drinking and eating...

Author: /time Magazine | Title: Sculpture: Relief from Drabness | 5/7/1965 | See Source »

...Michigan's murkiest depths, a scruffy, bearded old tramp (Lou Gilbert) wades ashore wearing dirty long underwear. He pushes an obese violinist through the streets of Chicago in a wheelchair. He is pursued through the phallic phantasmagoria of a sausage factory by a uniformed guard until a junk sculptor (Thomas Erhart) darts to his rescue. The sculptor defeats the guard, who is ground into lunch meat...

Author: /time Magazine | Title: Cinema: Way-Out in Chicago | 5/7/1965 | See Source »

...difference is that Writer-Director Don Owen, a gifted 30-year-old Canadian, approaches his rusty theme the way a junk sculptor approaches a scrap heap-with zest and spirit and an evergreen appetite for discovery. Improvising action and dialogue, Owen achieves a cinema of spontaneity. His film is choked with words, yet the words effectively express the jumpy, inarticulate restlessness of youth...

Author: /time Magazine | Title: Cinema: Upstream in Toronto | 4/30/1965 | See Source »

What texts! Thompson chooses his texts with the care of a sculptor choosing his stone, a calligrapher his nib. His settings of three Horatian odes sound fresh after 41 years: one wonders how those dissonances and lush chromaticisms (which have since become less frequent in Thompson's music) struck listeners in the twenties...

Author: By Jsaiah Jackson, | Title: Randall Thompson | 4/27/1965 | See Source »

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